Roxy
Looking at your thread 18 hours later it seems as if I barged in. Sorry about that intrusion.
What you have started here is very interesting and your methods and observations should be shared. I for one am not a user of damping materials and I am always looking for acoustic energy reuse redirection and conservation methods in my listening area.
I would like to know if there was a change in sound and what affect there was when you reversed the the top for the bottom of the cymbal as the focal point would have been changed? Also would you consider hanging other cymbals from the ceiling in the corners as these would make for a considerable change in both diffusion and direction of the sound field. It maybe that more is not better overall but the fact that the sound field can be bent and adjusted is a valid use for such devices and their placements versus the more usual overkill. The learning process and observation may prove of value.
I have found that the placement angle of devices in the corners is also very apparent. A variation of a few degrees changes the whole perception and placement of instruments within the recording. Tom
Looking at your thread 18 hours later it seems as if I barged in. Sorry about that intrusion.
What you have started here is very interesting and your methods and observations should be shared. I for one am not a user of damping materials and I am always looking for acoustic energy reuse redirection and conservation methods in my listening area.
I would like to know if there was a change in sound and what affect there was when you reversed the the top for the bottom of the cymbal as the focal point would have been changed? Also would you consider hanging other cymbals from the ceiling in the corners as these would make for a considerable change in both diffusion and direction of the sound field. It maybe that more is not better overall but the fact that the sound field can be bent and adjusted is a valid use for such devices and their placements versus the more usual overkill. The learning process and observation may prove of value.
I have found that the placement angle of devices in the corners is also very apparent. A variation of a few degrees changes the whole perception and placement of instruments within the recording. Tom