I've been recording in high rez digital since 2004 or so. Started 24/96 multi-track in 2005. It is nice, real nice. It is extremely flexible and inexpensive compared to analog. It makes an engineer's job much easier. Am I blown away by it? No, I'm not. Am I in love with it? Yes, I am. Dolby SR, now that maybe something I'm blown away by. But it is not practical for me.
I just mixed and finished three projects over the past ewo weeks, Hot Tuna and two jazz project by John Stetch, a very nice jazz pianist. I also have a new DVD Blue Ray release by Charlie Bertini of his last festival concert, as well as a duet with Charlie and Terry Meyers. My point is, these are nice recordings, you can listen to them and they provide a lot of what hi-rez digital can provide and give you a base line of from which I come.....however, as nice as these are I still prefer analog. And these are on;y my recent projects I have thousand of hours of hi rez digital projects with 10 of thousand of hours of mixing and mastering time.
That is not to say that you are not right for your ears....my ears just tell me differently. So, on that note we can agree to disagree.
I just mixed and finished three projects over the past ewo weeks, Hot Tuna and two jazz project by John Stetch, a very nice jazz pianist. I also have a new DVD Blue Ray release by Charlie Bertini of his last festival concert, as well as a duet with Charlie and Terry Meyers. My point is, these are nice recordings, you can listen to them and they provide a lot of what hi-rez digital can provide and give you a base line of from which I come.....however, as nice as these are I still prefer analog. And these are on;y my recent projects I have thousand of hours of hi rez digital projects with 10 of thousand of hours of mixing and mastering time.
That is not to say that you are not right for your ears....my ears just tell me differently. So, on that note we can agree to disagree.

