Integrated amp recommendation around 3k (I need more power!)


Hi everyone,

Yep, another of those "which amp would you recommend" questions.  My system is settling in very nicely recently.  I've bounced around with speakers quite a bit, but I keep returning to little Harbeth P3esr.  They fit my room well and sound beautiful. However, they have a sensitivity of only 83db.  Right now, my system is comprised of the following:  VPI Traveler Turntable w/Clearaudio Maestro V2 cartridge, Croft RIAA phono stage, and the LFD LE V integrated.  As nice as the LFD is sonically, it just falls a bit short on power 65wpc into 8ohms) with the little Harbeths.

So, I'm looking to move to a more powerful integrated amp.  I'm certainly not a headbanger (or I'd have different speakers), but I would like to have ample headroom and current to maximize the P3s.  I'm looking at a budget of around $3k, used or new.  As I have an all analog 2-channel rig, I don't need a DAC, subwoofer outs, tone controls, balance, etc.  Heck, don't even care about a remote.  Just good, clean, dynamic power. 

Any thoughts would be greatly appreciated - thanks!

Best, Scott
smrex13
Interesting that the LFD LE V doesn’t have the current to optimally drive the P3ESR. When I used the LFD LE III to drive the Harbeth SHL5, the sound is very open and dynamic. The combination sounds a lot better than most of the amps I have tried (with the Harbeth).

Having said that, you may be right about the low sensitivity of the P3ESR. At 83.5 dB it is surely on the low side compared to the SHL5 and C7ES3 which are rated at 86 dB. Also, the SHL5’s impedance is 8 ohms while the P3ESR is at 6 ohms.

The Harbeth surely sounds different with different amps. A powerful amp is certainly useful if one listens at higher volume levels (especially the larger speakers SHL5 and 40.1 / 40.2). A friend who owns the 40.1 has used many amps on the speakers (he currently owns all these amps) - LFD LE III, Exposure 2010S, Leben CS600, Naim 32.5/135 monoblocks, and the Naims got the vote. As good as the Leben and LFD sounds, they lacked power, and they lacked some neutrality of the Naims. The LFD made everything sounds a bit larger than life while the Naims gave a more accurate portrayal. The LFD’s strength or appeal is its tube-like glow which gave music a nice illuminating feel.

You might want to give Exposure 3010S2-D a look.
I run a Rogue Cronus Mag w/KT120 at 100 watts with Vandersteen 2 if that isn't enough  
power the Rogue Pharaoh  has 185 watts tube preamp section solid-state amp I have heard the Harbeths 40.2 on both great sound stage and details 

The Cronus is about $2500 and the Pharaoh is $3500
Rogue Audio is in PA a bunch of great guys too
I am driving right now harbeth shl5 with Synthesis Roma 37DC+ hybrid amp ,d class power 500w per channel+tube input stages. More volume,the more power into the sound and weight,the sound is full with wonderfull midrange.I was inspired by youtube movies of this guy https://www.youtube.com/watch?v=ftQKhGVkdlE and bought one from Italy and it sounds very similar.
Thank to everyone for the recommendations.  It appears that some of the problem (or perhaps all of it) is due to the cartridge.  Out of curiosity, I installed an older cart I have (Shelter 201), and the soundstage came to live.  It has an output of 4.0mV and the cart I'm using has a 3.6mV output.  It doesn't seem like that should make too much difference, but apparently with all the other factors in the chain (low sensitivity speakers, lower powered amp) the .4mV difference is significant.  Of course, the entry-level Shelter doesn't sound nearly as good as the Clearaudio Maestro V2, but at least I have direction to go.  Will be posting additional questions for cart recommendations on the analog forum.  Thanks again for all your input.  Best, Scott
Hi Scott,

Interesting finding. One thing that can significantly affect the tonal balance of a moving magnet cartridge in the treble region, and thereby affect soundstaging and perceived dynamics, is the load capacitance that is applied to the cartridge. And I see that the Clearaudio Maestro V2 has a recommended load capacitance of 100 pf, which is too low for many setups to even come close to achieving. (The load capacitance seen by the cartridge is the sum of the input capacitance of the phono stage and the capacitances of the phono cable, tonearm wiring, and connectors).

I couldn’t find an input capacitance spec for your phono stage, or a load capacitance recommendation for the Shelter 201, and of course I don’t know what the capacitance of your phono cable and tonearm wiring would be. But if you want to change to a different moving magnet cartridge, I would suggest avoiding any having a recommended load capacitance of less than around 200 pf, or an even higher number if your phono cable is longer than say 4 or 5 feet.

Also, I doubt that the difference between 3.6 mv and 4.0 mv has any significance, that being a difference of less than 1 db. However there are two different test records/standards upon which cartridge output specs can be based, which I believe can result in the outputs of cartridges having identical output specs often differing by 3 db.  Which in terms of mv means that a 3.6 mv cartridge under the standard that produces a higher number would be only 3.6 x 0.707 = 2.5 mv under the other standard. So that conceivably could be a contributing factor.

Good luck. Best regards,
-- Al