Hi Mark,
I can’t comment on how much amplifier power is likely to be optimal with your particular speakers, or on which amplifiers are likely to be particularly synergistic from a sonic standpoint.
But I agree with JPerry’s comments, to which I’ll add the following thoughts:
1)The two considerations referred to in my first paragraph figure to be inter-related, such that more or less power may be optimal depending on the design and sonic character of the particular amplifier.
2)The amplifier’s effects on volume control position depend on its gain, not on its power capability. There are many amplifiers that provide a combination of relatively high gain and relatively low power capability, and vice versa, although in general there tends to be a **loose** correlation between gain and power capability.
3)How much power is required is often determined by the dynamic range of the music that is listened to. In most circumstances not a great deal of power is required for most recordings, at least most of the time. But on recordings having a particularly great difference in volume between the loudest notes and the softest notes, such as some well engineered minimally compressed classical symphonic recordings, enormously greater power capability can be required to support their brief dynamic peaks than under most other circumstances, and at most other times during those same recordings.
Good luck. Regards,
-- Al
I can’t comment on how much amplifier power is likely to be optimal with your particular speakers, or on which amplifiers are likely to be particularly synergistic from a sonic standpoint.
But I agree with JPerry’s comments, to which I’ll add the following thoughts:
1)The two considerations referred to in my first paragraph figure to be inter-related, such that more or less power may be optimal depending on the design and sonic character of the particular amplifier.
2)The amplifier’s effects on volume control position depend on its gain, not on its power capability. There are many amplifiers that provide a combination of relatively high gain and relatively low power capability, and vice versa, although in general there tends to be a **loose** correlation between gain and power capability.
3)How much power is required is often determined by the dynamic range of the music that is listened to. In most circumstances not a great deal of power is required for most recordings, at least most of the time. But on recordings having a particularly great difference in volume between the loudest notes and the softest notes, such as some well engineered minimally compressed classical symphonic recordings, enormously greater power capability can be required to support their brief dynamic peaks than under most other circumstances, and at most other times during those same recordings.
Good luck. Regards,
-- Al