What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
In past threads Atmasphere has offered what I consider to be persuasive proof that in the case of analog interconnects the components being connected can be designed in a manner that will result in any reasonably well designed and inexpensive balanced cable having no sonic artifacts. In other words, in completely neutral behavior. Unfortunately few audiophile-oriented components are designed in that manner, although some approach it to varying degrees.

See the first of his posts dated 3-22-2013 in this thread for a description of the design requirements for the components being connected that are necessary to make that happen, and also for what I consider to be compelling proof of his contention. Also see the follow-up questions I submitted on 3-27-2013, and his response.

Regards,
-- Al

1. properly advertised with LOUD words of how it improves performance
2. beautiful skin and shiny connectors
3. beautiful walnut case is a big plus
Speak for yourself, please. 
I did.  The OP didn't ask "What do 'you' want from a cable?"

Just my somewhat sarcastic observation from years of trying, buying and constructing cables, reading cable reviews, reading this forum, and observing cable manufacturers that follow well-known marketing trends by introducing new "revelatory" models every 2-3 years - just about the time sales are tapering off from the previous models.  While I certainly hear differences in cables, at the end of the day, it is mostly just wire and, beyond a certain minimum level of compatibility that doesn't cost much to achieve, I believe cables are much less important to the sound of a system than the equipment and speakers.  I understand this is a minority opinion and not helpful to the tweaky and somewhat obsessive nature of the hobby. 

If I were to make a better effort to answer the OP, I would say try cables of different types from several manufacturers (maybe from somewhere like The Cable Company) until you find something that doesn't cost too much but makes your system sound "right" to you.

low resitance/capacitance/inductance, immunity to RF...
Therefore, for a 10ft run,  14AWG or less, OFC copper, starquad or braided or twisted, multi-strands.  
I am happy with Canare, Mogami, Belden, basic Kimber...anything else would be pure folie on my 3K stereo, or a sign of major boredom.
  • Very expensive and difficult to use tone controls
  • Imaging enhancement (see above)
  • Endless merry go round
  • financial sense of ownership and accomplishment
  • The chance to enhance our own discernment of equipment instead of music.
  • Social sense of belonging.

I built my own interconnect cables from solid silver core wiring, and got off the merry go round. All my equipment plays well with it, or it doesn’t come home.



Best,

Erik