Do equipment stands have an impact on electronics?


Mechanical grounding or isolation from vibration has been a hot topic as of late.  Many know from experience that footers, stands and other vibration technologies impact things that vibrate a lot like speakers, subs or even listening rooms (my recent experience with an "Energy room").  The question is does it have merit when it comes to electronics and if so why?  Are there plausible explanations for their effect on electronics or suggested measurement paradigms to document such an effect?
agear
I can't say about hi-fi platforms, but maple is the preferred wood for drum shells because of it's desirable (for drums) resonance and timbre. Maple's resonance characteristic is of long sustain (when you hit a piece of maple, it rings for a long time), it's timbral character brightness. If one desires their support structure to produce no sound of it's own, I don't know why a wood known for it's long sustain and bright timbre would be a desirable material from which to build one. I am NOT saying I know why it shouldn't be used!
Maybe such stands could be incorporated as system tuning devices.....nothing wrong with that concept.  I know some speaker manufactures ascribe to that philosophy.  
agear OP
1,155 posts
10-06-2016 5:08pm
Geoff, what an artisanal drum maker. Wow.

Wow, indeed. Of course the take away of the Charlie Watts snare drum is that the shell is steel, not maple. Maybe audiophiles should use steel plates instead of maple boards. And Ferrari leather for damping. Lol

cheerios

Thanks Geoff, great video. The drums I was describing are traditional wood ones, which is how bass drums (kicks) and toms are pretty much all made. Snare drums are a different matter, available in many different woods and metals.

Charlie Watts likes old Gretsch drum sets (he’s been playing a natural maple finish set on stage since the early-70’s), the "round badge" ones made in the original Brooklyn factory in the 50’s and 60’s. In the 50’s the shells were 3-ply, the outer two maple, the inner gumwood. In the 60’s the shells were 6-ply, with alternating layers of same. They sound fantastic! A lot of Pro drummers having endorsement deals with other drum companies play those drums on stage, but record with Gretsch.

Steel is a commonly used material for snare drums, but not usually high end ones. Brass is the preferred metal for snare drums by many, myself included. Saxes and other musical horns aren't made of brass for no reason---it sounds good! Can you imagine a steel sax?! How about steel cymbals (they too are brass)? I have three Ludwig’s made in the 1920’s (14 X 5/8-lug, 14 X 5/10-lug, 14 X 6.5/10-lug), one in the 30’s (14 X 6.5/8-lug), all nickel over brass (NOB), and fantastic. I had a spare 14 X 5/10-lug Ludwig Standard that Abe Laborial Jr., McCartneys drummer, bought (I used to deal in vintage drums) and played when they did the Super Bowl Half-Time show about ten years ago. Look for it!