What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
Cable discussions and evaluations are entirely subjective ( all rooms, components and listeners are variables).  When you measure one set of cables against another ( in itself a challenge -- as meaningful blind A/B tests are almost impossible without manually switching them back and forth -- losing the ability of a quick A/B with the time lapse) -

But the question of having the cable be neutral - and not adding or taking anything away --- how is that even possible to measure or determine ?  What is your base reference for measurement ? -- It has to be another set of cables ----- so how do you know what your base reference of neutrality actually is ? --

Simple fact -- You can't listen to any of the components without cables -- So all cables must impart a sonic signature of some sort -- and it becomes completely subjective as to what you consider to be neutral.

I have spent a considerable amount of money on cables - mostly motivated by a hope that it will provide better sound staging, possibly broader frequency range and an enjoyable / pleasant tonal representation ( not likely better - just different and more personally preferred in my room/system/ears -- which may change after 6 months if/when I try another pair) --

But some moves have been in hopes of getting rid of any background noise and trying to achieve that completely quiet 'Black" background in my system ----  I find that most "good" cables do this better than mediocre or cheap ones.  I do believe that good cables are an important component -- but beyond getting rid of any background noise, hum etc.  and being dead quiet (as if the system was off when paused) -- the results are completely a matter of tonal preference -- but I can't ever say neutral -- and not adding or taking anything away -- because all you can do is measure one set against another -- what is being added -- or what is being taken away -- means nothing other than the two sets have different tonal signatures -- so it comes down to personal preference.    



@maplegrovemusic , thanks for the new information!
That breaking news changes everything!

You do know that brainwashing works both ways, don't you?
If you don't want to hear a difference, you won't.
I got a pair of speaker cables to sell..
 
They're made of military and aerospace grade beryllium copper, harvested from fragments of a comet that only passes near earth's orbit every 100,000 years. 

These cables are then coated with platinum, because everyone knows platinum is better than gold. 

The cable is cryogenically treated, then annealed, then treated again. This makes the cable resistant to electromagnetic interference due to its superior flux blocking grain structure. 

After about 100 hours of break-in, you'll hear immediate improvements in clarity, transparency, openness, resolution, and a lack of opaque..ness.  

You'll experience a telepathic connection with the musicians and hear all the subtle detail they intended you to hear, realizing that the cables in their recoding studios was comprised of this same magic formula.