The key word for Stevenson is "crescendo" which is a passage played with a gradual increase in volume or intensity (in classical music). According to Stevenson's alignment method a new set of parameters taking into account that on records with classical music very often crescendos occur towards the innermost grooves.
It's about arrangment of the classical music and where is the most complicated grooves located on the record surface (beggining, middle or toward the end on the record). It can be true if we are listening to a long (17 min for example) classical music track on 12'inch or 10'inch (or even a short 3 min track on 7'inch record).
A crescendo is a way for composers to indicate that a passage of music should gradually increase in loudness over time (opposite of a decrease in volume which is described as a 'decrescendo'). It is also used in non-musical context to describe any situation in which volume is increasing.
BTW the most complicated grooves with cannon shots on Telarc 1812 Overture located in the end of the LP.
It's about arrangment of the classical music and where is the most complicated grooves located on the record surface (beggining, middle or toward the end on the record). It can be true if we are listening to a long (17 min for example) classical music track on 12'inch or 10'inch (or even a short 3 min track on 7'inch record).
A crescendo is a way for composers to indicate that a passage of music should gradually increase in loudness over time (opposite of a decrease in volume which is described as a 'decrescendo'). It is also used in non-musical context to describe any situation in which volume is increasing.
BTW the most complicated grooves with cannon shots on Telarc 1812 Overture located in the end of the LP.

