Wilson Audio Haters


I've always wondered why there are so many people out there, that more than any other speaker manufacturer, really hate the Wilson line. I own Maxx 2's and also a pair of Watt Puppys. They are IMHO quite wonderful.

Why does Wilson get so much thrashing?

crazyeddy
I also don’t like AMT tweeters - they compress way to easily.

Bo1972, you seem to be fixated on 3D soundstage and their curious artifacts from the artificial stereo reproduction. I respect that many audiophiles are fixated on this but for me I am much more interested in accurate timbre and dynamics that replicate real instruments and voices precisely rather than a 3D holographic sideshow or curiosity. I am interested to reproduce what I hear when I listen to live music and not some artificial creation such as Roger Waters Amused to Death.

I do understand and respect where Bo1972 and many other audiophiles are coming from and what they are chasing. However, I don’t think Bo1972 grasps the awful coloration that myself and others are hearing from his favorite impressive 3D type presentations - to me this sideshow is just a curiosity and as impressive as it sounds - it isn’t musical to my ears!

Now I am not claiming Wilson is perfect and neither do I regard Monitor Audio as a total failure - Monitor make great speakers in China and hopefully they can maintain QC which is so difficult (B&W make their top of the line in the U.K. possibly for QC reasons) However, both designs are targeting different listeners who are looking for different qualities. Both have their place and Wilson has a much more illustrious longer track record than Monitor which is a testament to their ability to meet many listeners specific criteria in terms of sound.


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shadorne,

Is it your experience that 3D soundstaging and accurate timbre/musicality/dynamics are mutually exclusive?

Dave
@dlcockrum

Not exclusve but correct timbre/musicality/dynamics is more important to me. I respect others have a different view and they may place much more importance on 3D effects.

Our brain processes sound for both directionality and the timbre/musicality/dynamics of the sound itself. The two processes are quite different. One seems to be related to the first arrival or first few cycles of a transient sound and how it hits each ear differently in time/phase, while the other appears to be more related to frequency/harmonic analysis (which clearly must examine the sound over many cycles and follows the tonal variations (such as pitch bend) and decay).
Good explanation shadorne. I have to admit to being addicted to venue recreation (imaging, soundstaging, air, and presence) so I go for the time/phase coherent speakers and cables. Something about having a sonic hologram in the room simply amazes me.

Appreciate and respect those that prioritize other qualities.

In the end, I think we want it all, no?

Best to you shadorne,
Dave