Nice to see you here Henry.
Dave
Dave
Class D Technology
Thanks Dave, Now back to the original questions. So I get the obvious strengths of Class D. Efficiency, power output & running cool which allows for small form factors. I also understand the weaknesses somewhat. 1. Non-linear & lots of distortion that needs to be cleaned up with an output filter.Seanheis1, I typically avoid forum discussion such as this as I feel anything I say can be interpreted as being BIAS, but I feel compel to write a few words regard the discussion at hands. Actually, Class D in general, and particularly Icepower and Hypex have very low distortion figures. Class D output filter is not there to clean up distortion but rather to recover (demodulate) the original audio signal from the modulated signal (carrier signal or switching signal plus the audio signal). Please check out Hypex's specs for their Ncore modules which has impressive distortion figures, and that is an understatement. Having said just that...Does that mean that Hypex Ncore is the holy grail of audio amplification? That depends on in what system and more importantly to whose ears, and that is the question. BTW, I finally decided and have just ordered 2 NCore400 modules to test drive and see/hear what is the rave is all about. I will definitely be comparing the Ncore to the Icepower. It will be interesting to say the least. Henry |
Check this out: http://www.enjoythemusic.com/magazine/equipment/0216/D_Sonic_M3_3000S_Dual_Mono_Amplifier_Review.htm Them’s a lot of notes in the sound ratings at the bottom of the article! Why would anyone with a need for monster power to drive their speakers best not consider something like this? The potential upside is huge for many. Disclaimer: I am not that familiar with Dsonic, just citing this article as reference. Do not know return policy, customer service quality, etc., all things that matter. |
Hifi sound is best when low distortion, effortless and dynamic. I experienced this as hoped in my larger room with larger speakers in particular when moved to 500w/ch Class D amps, but power and current hungry smaller monitors (more limited output in comparison) benefited similarly as well. When I sold hifi back in 1978 (Tech Hifi), we had amps from 15 to 120w/ch available for comparison from many of the top lines of the day in a decent sized showroom. Guess what? With any kind of decent speaker, the 120 w/ch model in a line always sounded best. Assuming realistic levels and dynamics matter. If not, or room is small, then not such a big deal. |