exlibris' use of "a revelation" is not hyperbole! The most immediate, present, alive, downright exciting sound I've heard from LP's comes from them being played by a Decca/London. Hearing a direct-to-disc LP played by one provides with as close to a live-feed (the sound of the musicians in a recording studio as heard through the monitors at the mixing desk, live and unrecorded) as I have heard. But I haven't heard the Zsar, nor am I likely to. Who has ten grand for a pickup?!
LONDON Decca, Tzar DST and similar cartridges
I have always been curious about these phono cartridges and the Stereophile review of the Tzar DST has heightened my interest. When I read about the peculiarities of these cartridges, I am put off from trying them. Can anyone offer persuasive reasons to try them and also provide real practical advice on how to make them work reliably? Tonearm suggestions? Phono preamp suggestions? Damping recommendations? How badly do they grind out record grooves? Any other words of advice? Thanks.
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- 49 posts total
- 49 posts total

