Which is the Better Tonearm - Pro-Ject or Rega?


Which is the better arm in your opinion, the Rega 251/202 arm that's also found on the Rega clones (Edwards Audio TT1 for example), or the Pro-Ject arm found on the Debut/Essential and Pro-Ject clones (such as the Music Hall MMF 2.2).

Does Pro-Ject's carbon arm (as found on the Debut Carbon) change your position on the comparison?

Thanks!
seadweller
"Fleib- sorry, your provocative post, though oozing with sarcasm, clearly missed it's mark. Instead of answering the op's question, your confrontational style proves to be an immediate turn-off. Is it really necessary to insult people to make your point or is this just your style? I'm sure your "expertise" as regards turntables is irreproachable, (" no VTA is the donkey kong of mistakes") but not everyone needs VTA; many manage without it just fine. I am one of them. I also own a Rega table which I love; in fact I sold my TW Acustic Raven One and purchased an RP6 which gives me every bit as much pleasure as the Raven with a lot less hassle and expense. Not to be overly dogmatic here, but people come to this hobby for many different reasons and each derives pleasure in their own way. No one needs to be told that your way is the "right way".

And, by the way, if we want your opinions on cigars and addiction, I doubt we'll look for it on the forum.

Rega arm no azimuth adjustment....booooo!
Not all carts are made alike and not all stylus are made perfectly. High end carts with microline, line contact, shibata types require azimuth to dial them in as best as possible.
Also you want the option to minimize crosstalk. 

So u know my choice.