Top resistors


Many threads with opinions on boutique coupling capacitors, but very little consolidated information on the sonics of resistors. Anyone care to share their thoughts on the attributes of their favorite brands & types for specific tube and SS applications? How much of a difference does a good resistor make?

My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.
dgarretson
@erik_squires

I think you must be referring to this type of fuse

http://www.mouser.com/ProductDetail/Littelfuse/0251002MXL/?qs=sGAEpiMZZMsNIlwy3aAdUVxIQvxhy%252bighe...

which is a fuse not a resistor, although to a layman it might look like it. That being said I find your posts enlightened and offering good advise.

I believe that this thread was questioning why one speaker manufacturer use resistors as fuses, which I consider sub par engineering at best and further evident as some report that these change value over time - which of course they will as they heat up - cool down.

Depending on their insertion in a crossover I use different resistor types, if in a zobel network for impedance correction of a woofer or midrange generally I use 25W cement resistors and almost always several in parallel as to get the power handling up where it needs to be. For attenuation of a tweeter, which I generally try to avoid, I’d use either the Caddock MP9100 which I heatsink or several 5W MOX resistors in parallel again to get the power handling up.

I agree Mills non inductance resistors are nice too and use them on occasion too.

http://pbnaudio.com/speakers/speaker-kits/scanspeak-b741

Above is a link to a kit I designed for ScanSpeak a few years back - this will give a good indication on how I propose the use of resistors in a X/O network.


Good Listening


Peter
justubes2 or salectric, do you have any more progress to report on the Path Audio resistors. I presently have Kiwames mixed with Duelunds in the tweeter section. The top end is quite lively (bright) and using all Duelunds was too bright. Mixing Kiwames tamed things down but I would like to get better resolution but without the brightness.  Did you find the Paths mixed well will Duelunds? Also, do the Paths affect the rhythm. Any further input on the Paths will be appreciated.
Sbl, I am afraid I can't help you.  I abandoned my Duelund resistors (regular and CAST) several years ago.  Same thing with my Path Audios.  All of them left too much of a fingerprint on the music.  Therefore I went back to where I started---with Mills 12w---and I have had no interest in trying anything else.  Sorry.
@pbnaudio Nope, here is a better example:

http://www.mouser.com/ProductDetail/Welwyn-Components-TT-Electronics/EMC2-4R7K/?qs=sGAEpiMZZMs%2f2%2...

These are quite common in amplifiers. They come in a variety of useful resistor values, but are also fuses which will permanently open above their rated power.
I'm mostly with @salectric though sometimes I want to try some of the really exotic thick-film types, that come in TO type containers like this:

http://partsconnexion.com/resistors_caddock_mp.html

Put a heat sink on them and I think they would make a crossover look slick as hell. :)

No idea about the sound quality. :)