If NOS pre or power tubes became unavailable altogether, what new tubes would you buy?


Hey tuberollers, 

I'm curious to see what happens if there's a gun to your head, or more practically all NOS tubes disappear (dread).  What would you do with your line/pre stage and/or power stage?  

I have tried 5 different NOS 12AU7s and only 1 new 12AU7 in my preamp section (Cifte, RCA black plates (late 50s), Sylvanias, Baldwin organ tubes, Amperex 70s orange globes, and new Chinese stock Primaluna tubes).  In my power section, I have not tried any NOS tubes and 3 types of tubes (stock Chinese Primaluna EL34s, reissue Mullard EL34s, and reissue Gold Lion KT88s).  

Side note: I haven't ventured into NOS power tubes because of the cost and availability/scarcity.  I need 8 of them!

Without having tried anything else, I would be lost on new or reissue 12AU7s.  On the power tube side, I'd be just fine with either the reissue Mullard EL34s or the Gold Lion KT88s.  
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@don_c55 ,  No worries Don!  Good points.  

I think you've (and several others) have answered it by saying none of the Russian/Chinese reissues just don't measure up and aren't worth it. 

I am looking for a new tube that has some air on top, a la GE 5814as, Ciftes, etc., or at least some syrup in the midrange.  I can stick with NOS for sure.  
Simple, modify your components to work with the standard tubes.  For example, caddock resistors, better capacitors like V-Caps, Clarity, Elna, and adjust the power supply and tube voltage to your satisfaction.

Happy Modifications!  
tubegroover, that's a serious problem that Sophia has not addressed.

I started a thread a few weeks ago where I brought up the subject of NOS 6SN7's becoming microphonic. I don't like the sterile sound of the new production tubes I've heard in the preamp stage, so I would like to hear the Sophia's.
I will heed your warning, thanks.
Bigkidz, That's sooooo interesting, but I feel miles away from starting that project.  I would, however, like to learn more about it.  
A little off-topic, but closer than some. :) Does anyone actually like the new production EHX 6sn7s? I haven’t run into any problems with microphonics on them, but I’d go Raul’s route if that’s all there was.

I guess secondarily, how about the Tung Sol "reissue" 6sn7s. At least from a quick look, they seem almost identical to the EHXes, but, maybe it’s in my head, they sound a bit better.