Upgrading path from Merlin VSM black magic


Goal:
I have been tinkering with the idea of upgrading and investing in floor standers that are superior in every way compared to Merlins. What are the Merlin users upgrading to? budget is 25k or under (used market value).
My present system:
I am using my Merlins VSM Black magic with dual BAMs with Coincident tech Frankenstein mono block amps (300B SET) and coincident tech line-state and phono preamp. Whole system is wired with Cardas clear cables. Using EMM XDS-1 and VPI classic turntable. System was built around Merlins. I suppose I might have to pick electronics suitable for the replacement speakers and in that case will build the whole system again. Preferably, I would like to keep the front end electronics/amps/pre-amp etc.
My music taste:
I listen mostly Jazz, Classical and vocals. 
My room:
I had Merlins setup in 12x16x8 room which was fully treated. I have since moved to a larger-ish space 15' x 21' x 9'. The room is not treated yet but would be fully treated with absorption panels/diffusors etc in the near future. I setup speakers with ears and with RoomEq software. 
Why not Merlins .. ??
I have thoroughly enjoyed Merlins but sometime feel it can sound a little thin and won't reach the lowest bass. Larger sound stage is desired. Full scale classical music can have better depth, width and weight. I have been using various versions of Merlins since 2009 and have the last version produced (Black magic) with dual BAMs. I have purchased two Funk Audio subwoofers that I have not integrated with the system yet. Merlin is not very subwoofer friendly anyways.
What I am looking for:
Ideal speakers would get from "Merlin" its neutral, resolving, transparent, low distortion, dynamic character. On top would also deliver fuller sound (top to bottom), be a full range down to 20Hz, provide bigger sound stage and has a more organic / relaxing sound (..better emotional connectivity). Speakers should be tube friendly, (preferably SET or OTL).
Brands:
There are simply too many out there. These brands come to mind: dynaudio, magico, sonus-faber, mbl, B&W, wilson audio, rockport, jm-labs, dunlavy, wilson benesch.  I am sure someone who has owned Merlins and made a move can give their input. Even a short list to audition would be helpful. I am based out of Orlando area. Would be great If any local member has a system that they can allow me to audition.
Past experience:
Other notable speakers I have owned in past include original Flocal Utopias (mezzo to grand Utopia), B&W nautilus series, Quad 989 among others. Yesterday's nautilus 800, 802 were power hungry and sounded boxy. This may not be the case with the newer models.  I feel like I am out of touch with what is out there. Have been out of market for long. 
Thanks.



sstalwar
I own the same speaker
Had the idea also.  I called
The man. B. P.  He said"" No""  with a hour of explaining  and talking about everything fun. He's missed  4 Shore.
He don't know this butt  i got some tin 6 strips  driled holes  attached it to each merlin cones then
Screwed other end in the
Wood floor.  There not moving  
@glennewdick great looking system! Curious what you were driving the AN/E's with when you had them? With stuff like this I find it's often less about watts and more about a stiff power supply.
Interesting discussion! :-)

I can't add any info about alternative speaker choices (given my biases :-) , not that I can think of anything besides some of the speakers already mentioned which would approach close to full range or full range type performance with a 20W SET amp), BUT I can add some thoughts about using subs with VSMs . . .

Many are right, Bobby would not like using the VSMs without the BAM and subs. It can be done though - from what I have just read of the Funk subs on their site and some reviews, given its DSP and crossover point adjust-ability - integration should not be a problem (especially with two subs vs one in my experience). I would certainly give it a try.

Though with the BAM, I would like to point out you can get a very good sub-woofer - VSM system. It has been done.... I have a long time local customer who has owned Merlin VSMs (updated) for many years (With Joule-Electra preamp and a old pair of Joule OTLs). His system is set up in a huge space (the home is pretty much a open barn like space and not a small one - the volume is quite large). Years ago (still in use today with some minor changes) we set up this sub set-up: two large (physcialy twice plus the size of the Funk 18.0's mentioned in this thread) Infra-Sonic (I think that is the name, the company is long gone) passive subs powered by a large 600W/ch Crown Macro ref amp, with Bryston active stereo sub woofer crossover used to set the low pass (top freq roll-off) for the subs.

One output came from the preamp, to the BAM and then to the OTLs. The other output from the preamp went to the Bryston and then to the Crown amp. I did the fine tuning of the level and crossover point by ear (this was around 2000 - before such cheap handy DSP stuff and measurement tools were available!) I wound up running the subs up to around 40Hz. Yes, that meant a fair amount of overlap between the VSM/BAM and the subs in the 30 to low 40s range, but with things phased right the results were/are downright majestic. Whether a big full scale Orchestral work or something like FourPlay, this setup had/has wonderful impact and scale. Jerry's set-up is probably the only VSM based system I've heard that had that big a sense of scale (I'm sure the large size of the room/space has something to do with that).

BTW, in a larger room with stereo subs, I would also try pulling the VSM's wider apart (more so that the approx 6ft Bobby usually recommended) with a bit more toe in. The added fullness/weight added by the subs will help fill things in allowing the speakers to work better further apart - probably give a bigger sense a scale/stage.

Hopefully this tale provides some fuel for thought. I'd hate to see anyone sell their (Black Magic) VSM! :-) - Rich

A further thought about the BBAM.  It allows one 6.5" driver to act as a  time and phase coherent point source across a wide range from 2kHz down to 30Hz.  This(together with the superb silk dome Dynaudio Esotar tweeter) is part of the charm of the design.  For a time I tried a Velodyne DD-15 rolled in at 35Hz.  It vastly increased scale and impact, but I could never get the timing quite right, and eventually learned to live with the VSMs sub-less.

@tubegroover  My VSM and BBAM are both highly modified with premium caps, resistors, cabinet modifications, and a Paul Hynes SR7 power supply for the BBAM.  I wouldn't want to be without the modified BBAM.  The stock NiCad battery supply seriously limited performance of the BBAM.