cost of speakers in relation to the rest of the system


I don't intend this to be a "How much should I spend for speakers" question.  Seems a number of folks generally recommend a third to two-thirds.  My question is, generally for discussion, whether folks found happiness and "success" in spending significantly less than that.  Or--by price, are you happy with speakers that might be considered by some folks outclassed by your other equipment and don't think the speakers are the "weak link?"

As a "favorite" professor might have said too often, "Discuss."

I would think there would be a number of Maggie MMG/1.7 folks, Tekton DI folks, probably some Omega folks, some vintage speaker folks.... others?
stfoth
I had several formative experiences earlier in my audiophile career that enforced the importance of the speakers. Mostly this had to do with hearing great speakers with meagre electronics. The first experience with Quad ESL 63’s blew my mind, and they were hooked up to a tiny, cheap Dynaco ST-70, with cheap speaker cable/interconnects. I heard the Waveform Mach 17 speakers (at the time) blow away practically every audio system I’d ever heard (and I’d heard scary-priced systems by then, most of what was available), and those speakers were running on some cheap amps (Kenwood if I remember), and bought-from-home-depot level cabling (John Otvos demoed them, he did not buy into the idea of expensive cables/amps).

When I first got my Quad ESL 63s I had to use my girlfriend’s Harmon Kardon integrated amp and cheap CD player for quite a while and yet the sound was incredible. Yes I upgraded CD players, amps (to CJ tube gear) along the way, but those were incremental improvements relative to the huge difference made by the Quads over other modest speakers I’d heard and owned.

Over the years, especially when my high end audio fever was at it’s highest, I heard systems put together by audiophiles who ranged from "everything makes a difference" - huge expense for cabling, raising them off the floor, crazy amp prices, every component on isolation etc - to systems owned by more engineer-minded audiophiles who dismissed high end amps/cables/Dacs and concentrated on the speakers and acoustics. Both "sides" could produce incredible sound (though the more practical audiophile set ups costing much less, usually).

So for myself, I’m a speakers-first guy, amps second (I like tube amplification), everything else far below that (probably DAC next).
I’ll spend some good money on amps, like my CJ monoblocks, but with the recognition I’m chasing smaller sonic differences/improvements than I get with speakers.

I have various speakers, including Thiel 3.7s. I feel the Thiels are at a point where I start paying much more for incremental differences in speaker performance. They are powered by CJ premier 12 monoblock amps, music streamed to a benchmark DAC. Stock AC cables all around, 10-gauge Beldon speaker cable (large gauge due to 30 foot length from amp to speakers). Sounds incredible, and I think more impressive than many far more expensive systems I hear elsewhere (in fact I’ve been shopping to see if I can find a replacement for the big Thiels, and far more expensive systems I’ve auditioned have left me less impressed than my own set up. One friend is a high end audio reviewers and he has an unmentionable dollar amount worth of cables, usually high end amps, amazing sources, and superb monitors - but I think my system sounds significantly better.  Thiel 3.7s are far better speakers (and I have great room acoustics) and they make more of a difference even when used with much more modest gear leading to them.

That said, I have heard certain gear that seems to produce exceptional results when hooked up to many different speakers. My little classic Eico HF-81 has an absolutely magical tone and tends to make almost any speaker hooked up to it sound more ravishing. But it can go only so far in breaching the difference found between speakers.




It's difficult to put into words. I wasted many years and dollars on affordable speakers that did the highs and lows yet felt uncomfortable with the music.

Not knowing how or what to listen for it was suggested I listen to Avalon's in stores and at shows but could never justify their price. As frustration increased a subjectively affordable pair popped up. 

At home the improvement was stunning even with the lesser electronics I hadn't yet sold.

My suggestion is not about the brand or the cost rather ones experience in listening. On the other hand I'd say buy used but go big. 

"the speaker<->room interface trumps all."

110% agreed

prof,

Do you listen at loud rock levels? Thiels are amazing at moderate levels but they don't quite hang together when really pushed. Try ATC - it may float your boat if you are looking for Quad ESL low distortion mid range but still a speaker that can really rock.
shadorne,

No I don't listen at really loud levels, at least not when sitting on my listening sofa.  Though I have excellent hearing, I also have some tinnitus from playing in a loud band when I was young so I've learned to protect my hearing these days. 

I can listen to the Thiels louder than any other speaker I've owned - they are so smooth.  (I moved away from ESLs because though they are transparent, they don't have the body to the sound that I prefer).

I do crank the system loud when I'm listening from outside the room (my system is in our living room which is open to the hallway so I can crank it when I'm in another room.  The Thiels certainly seem to hold their composure very well - better than almost any other speaker I've had.  You must like music really loud! ;-)


"Thiels...don’t hang together when really pushed,"

More complete and utter nonsense/misinformation from The King.

prof, shadorne needs his music really loud because he can’t hear.

Dave