Just retired and want to get back to vinyl listening


I'm reeducating myself.... after years of no TT and focusing on just stereo listening.. I had a some early Klipsch Hersey’s and some GENESIS speakers pair with Yamaha receiver and low end turntable 30-40 years ago -- I can afford a higher end setup this days -- so what are thoughts on pairing a luxman l-550axII with Klipsch cornwalls?

I like the Herseys for music in the day.. cornwalls seem to be larger herseys but may well need audtion some of the tower types folks seem to tout..

I still thinking on TT -- but may get a VPI scout or prime -- thinking through the cartridge choices and other things is still a serious education -- recc?

music taster are varied -- jazz to singer vocalist miles davis - linda Ronstadt and a host of others for vocal musics and instruments- soft rock of the 70-80s- to some classical

thoughts -- looking to 15-20K for the refit for stereo listening - but could stretch some if I like the setup

steventoney
co93
One thing I mention that is rarely brought up is cartridges where they stylus extends past the body of the cartridge versus those there the stylus hangs below it .   The former are more exposed to damage.
 How can a cartridge trace a groove if the stylus doesn't extend below it?

greginnh, I appreciate hearing your thoughts. As far as gear, I've been the opposite of you, probably due to financial concerns more than anything, so I always am conscious of my huge lack of experience here. I think when mountainsong sold the amp to me, it was also to fund higher end Luxman separates.
L.
@greginnh - I think you make a point--"everything sounds great until you hear something better" that is worth underscoring, whatever the budget.  If someone hasn't been around the audio scene in a while, they may not appreciate how far we have come in a number of areas (though I'm a big advocate of vintage stuff too).  That can help establish a benchmark for what a good system is capable of reproducing. Granted, our sonic "memories" are short, but there is value in hearing what a top system is able to do and why it is regarded as such. I would think a reputable dealer, if approached honestly about this (with an appointment arranged in advance) ought to be willing to let a prospective buyer at X budget hear what that dealer's "top system" is capable of, if only to show that the dealer is able to assemble a system at lesser cost which has some of the virtues the buyer prizes--
@inna - the inability to compare all prospective brands at one shop is a real concern that I mentioned in my post. At the level of the gear you are talking about--very expensive stuff- I would ask dealer A to work with dealer B to allow a comparison within one of their shops. Not sure if this would work-- home trial is best, of course, but apart from specialty dealers selling top dollar stuff and places like Music Direct that offer a no questions asked return policy, that may be the only way, apart from having a friend or colleague drag their own piece of equipment over. 
I know I'm pushing the 'use a dealer' theme, but that's where they pay off- I had one dealer back East who had no problem bringing pieces to my home (sometimes, with the manufacturer) for home trial. And, I didn't always cut a check. 
The limited opportunity to make real comparisons is not confined to new or returning to the fold audiophiles-- we all suffer from it to a degree--which, I think, explains some of the turnover in gear. 
A friend with a killer system and a few connections also isn't a bad thing to have. I know a couple of different hot beds of enthusiasts in different parts of the country who are constantly trying out new and different stuff. One can benefit from their reach and participate in the listening sessions if the opportunity presents itself. 
@greginnh & @whart

I wholeheartedly echo your last post’s ~ been there done that.  

You're not alone with this 'MAJOR'problem. Many of us always looking for ways to push the performance of your existing gear. It's a uncurable disease :-)
I wouldn't mind paying for audition of what I want to audition, either in-home or not. Dealers are not mules, why should they work for free? When you consult with other professionals you always pay, I see no reason why it should be different in high-end audio field. The fees must be reasonable and refundable if you buy, that's for sure. This situation would improve dealer-customer relations and decrease the probability of buing wrong equipment.
Two dealers cooperating to let you compare is a great idea even if it doesn't sound very realistic for most cases.