The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
I don't intend to be a "Debbie Downer", or the like, but I do feel the need to report what I've heard.

About six months ago, I purchased an Audio Research Reference 6, and I've found it to communicate an unsurpassed level of presence and three-dimensionality while remaining tonally neutral. Class A all the way -- with only some reservations in the high frequencies: a slight lack of richness and sparkle, most easily heard with piano.

I've found several tweaks, when used together, enhance the high frequencies of the Reference 6: first, a Synergistic Research Black Quantum fuse; and second, a Sain Line Systems Pure Current power cord. Those two tweaks on the power-supply side get you 80% there. As a final note, I swapped in a set of matched, cryogenically treated, low-noise 6H30 tubes from Upscale Audio and an NOS Winged "C" 6550C power tube. Now, class A ++, with no reservations.

Just this past weekend I swapped in a new Synergistic Blue fuse. What I've heard is a mixed bag in my system. Yes, there seems to be a bit more body in the bass and midrange, a little more rosin on the bow, so to speak. I've also heard a lessening of high frequency energy, a softening in the highs. This action contradicts my use of the Synergistic Black fuse in the Ref 6. 

I will continue to play with the Blue fuse, but I think, in my system, I prefer the Black fuse.


Jay ...

If SR  released the Purple fuse next month I'd hold off on buying them ... while shaking my head at the same time. Two years from now I'd be expecting it.

Personally I don't want SR or any other manufacturer to stand still, rest on their laurels and get stale. Even though I'd be perfectly happy with the system as it sits, I look forward to my next tweak. How about you?

By the way, right now I'm listening to Willie Nelson's "Phases and Stages." Willie's in the room. :=)

Frank
jay23:
I never made such a statement, and that’s not the case. All of the items you listed have a known product cycle, and information on the new products are released or leaked.
What would you prefer, KNOWN product cycle with or without advancements or only new release from advancements?

jay23:
These products are offered at a discount, and customers can make an INFORMED decision as to whether to save money, or wait to buy the latest and greatest.
Your clue a new release is coming when SR Blacks were selling at a discount.

I bought a Black in Aug before the discount and not bitter.  Goes with the territory and bigger fish to catch.   I have 3 Blues and no intention replacing remaining Blacks until they blow.   Just because Blue is released, doesn't make Black broken.
If I order the SR Blues for my Maggie’s, it will be their sixth fuse upgrade-- all this for a fuse bank that many owners just remove and bypass. I am also defeating my fuse protection by pushing the fuse values to 3-4 times their ratings and spending a lot to do it. This would be foolish if the results weren’t so spectacular, and they are. Blues are on the way......I’m still reeling from the new Blacks in my REL Strata III’s. Floor toms now have a warm, extended resonance that wasn’t always present. Had to back down the roll-offs from 30K to 26K. Now they are more integrated with the mains for a relaxed foundation. There seem to be no limit to the improvements. Thanks for the nice, new thread, Frank---hope it lasts..........