Dear @cleeds : J.Carr Lyra designer just two days ago posted about his products ( different issue. ), in the VPI thread after big pressure by customers VPI posted, PL of Sounsmith posted, Atmasphere posted in specific of his product design ( different issues each one of the manufacturers. ), Anvil TT designer posted a few days ago and audio distributors that care of their customers comes/came here and post.
You can see very clear that it's not " absurd " as you think.
But different " problems with the Triplanar tonearm is a historic " behavior ". In 2005 in a thread customers disclosed 9-10 " pproblems that they solved by it self, by coincidence one of those troubles was the AS issue:
"" Changing the cueing height affects the point where anti-skate kicks in. (Yes, it's weird.) Once cueing height is satisfactory, adjust the short pin that sticks out of the front of the cueing frame. That pin controls where the anti-skate dogleg first engages the knot on the string. """
After several manufacturer revisions/up-dates ( many over many years. ) today still looks as still an unfinished tonearm design.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
You can see very clear that it's not " absurd " as you think.
But different " problems with the Triplanar tonearm is a historic " behavior ". In 2005 in a thread customers disclosed 9-10 " pproblems that they solved by it self, by coincidence one of those troubles was the AS issue:
"" Changing the cueing height affects the point where anti-skate kicks in. (Yes, it's weird.) Once cueing height is satisfactory, adjust the short pin that sticks out of the front of the cueing frame. That pin controls where the anti-skate dogleg first engages the knot on the string. """
After several manufacturer revisions/up-dates ( many over many years. ) today still looks as still an unfinished tonearm design.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

