@audioengr
All the problems will be low level as the digital hash from inter-sample overs may not be audible until just after the transient. A bit like amplifier clipping where you don't hear problems on the transient itself as much as the distortion over everything else musical going on (harshness in the mid range in particular).
The last link is to a plot showing what looks like typical low level clipping distortion - distortion is low (about 60 to 100 db down) but it is broadband right across the entire spectrum which makes it very likely to be audible as harshness or glare. Notice that there is actually a distortion peak at 80Hz - and we all know that an 80Hz tone lasts an eternity compared to mid range stuff - so even if the transient is a cymbal crash at 11 KHz - you have distortion smeared broadband over at least 1/80 secs (1 cycle of 80 Hz) or more than 12 msec (which is a lot).
All the problems will be low level as the digital hash from inter-sample overs may not be audible until just after the transient. A bit like amplifier clipping where you don't hear problems on the transient itself as much as the distortion over everything else musical going on (harshness in the mid range in particular).
The last link is to a plot showing what looks like typical low level clipping distortion - distortion is low (about 60 to 100 db down) but it is broadband right across the entire spectrum which makes it very likely to be audible as harshness or glare. Notice that there is actually a distortion peak at 80Hz - and we all know that an 80Hz tone lasts an eternity compared to mid range stuff - so even if the transient is a cymbal crash at 11 KHz - you have distortion smeared broadband over at least 1/80 secs (1 cycle of 80 Hz) or more than 12 msec (which is a lot).

