Which watts are the right watts in SS amps?


Hello Sports Fans!

More than a few people over the years on these pages have said only those SS amps which double down in output power as impedance drops are truly special or worthy amps. Eg., 200 @ 8ohms; 400 @ 4 ohms; 800 @ 2 ohms; etc.

Not every SS amp made does this trick. Some very expensive ones don’t quite get to twice their 8 ohm rated power when impedance halves to four ohms. BAT, darTZeel, Wells, and Ypsalon to name just a few.

An amps ‘‘soul’’ or it’s ‘voice’ is the main reason why I would opt in on choosing an amp initially and keeping it. Simultaneously , I’d consider its power and the demands of what ever speakers may be intended to be run with it or them.

I’ve heard, 80% of the music we are listening to is made in the first 20wpc! I’m sure there’s some wisdom in there somewhere as many SS amps running AB, are biased to class A Only for a small portion of the total output EX. 10 – 60 wpc of 150 or 250 wpc.

After all, any amps true output levels are a complete mystery when anyone is listening to music anyhow.

I suspect, not being able to actually measure true power consumption, the vast majority of listening sessions revolve around 60wpc or so being at hand with traditional modern reasonably efficient speakers.

Sure, there are those speakers which don’t fit into the traditional loudspeaker power needs mold such as panels or electrostats, and this ain’t about them.

The possibility of clipping a driver is about the only facet in amp to speaker matching which gives a person pause while pondering this or that amplifier.

I feel there is more to how good an amp is than its ability tou double output power with 50% drops in speaker impedance.

However, speakers are demanding more power lately. Many are coming out of the gates with 4 ohm ‘nominal’ IMPs which lower with fluctuations in frequency. Add in larger motors on larger drivers, multiple driver arrays, and on paper these SOTA speakers appear to need more power.

IMHO It is this note which introduces great concern.

I’ve read every article I can find on Vienna Acoustics Music. Each one says give them lots of watts for them to excel.

Many times good sounding speakers I’ve owned sounded better with more power, albeit from arguably a better amp.

I tend to believe having more than an adequate amount of cap power is indeed integral. … naturally the size and type of transformers in play possess a strong vote for an amps ability to successfully mate with speakers.

Controlling a driver’s ability to stop and restart is as well a key to great sound and only strong amplifiers can manage this feat. Usually this gets attributed to ‘damping’ factor, but damping as I read it is more a shadow than a tangible real world figure as it depends on numerous factors. Speaker cable length alone can alter damping factors.

A very good argument exists about those mega watt amps voices. Each 500 or 600 wpc amp or amps, I’ve heard have had stellar voices too, not merely more watts.

So is it predominately these mega watt power house amps souls or their capacities that fuels the speakers presentation?

Would you buy an ‘uber expensive’ amp based more on its voice or soul, than on its ability to output loads of watts, even if you feel the amp may be somewhat under powered for the application?

Choosing this latter option also saves one money as the more powerful amps do cost more than their lower outputting siblings.

Please, share your experiences if possible.

Tanks muchly!

blindjim
Mucho gras Al.
Would you mind clearing up this thought of your’s?
Any amplifier having low output impedance can be rated to deliver twice as much power into 4 ohms as into 8 ohms, if the 8 ohm rating provides a large enough margin relative to actual capability

Margin? Section? Area? Range? Who picks them or it? The amp maker, Yes? No>?
Hi Jim,

Yes, I’m referring to ratings that are claimed by the designer/manufacturer.

I’ll explain further with a hypothetical example: During the design process the designer targets a capability of 120 watts into 8 ohms and 180 watts into 4 ohms, based in part on a belief that he can accomplish that with a design that will fall into a price range he wants to compete in. When he tests his initial prototype of the design he finds that it can meet but not significantly exceed those numbers, on a continuous basis (as opposed to just being able to meet them for say a few minutes without self-protection mechanisms being triggered), with reasonably low distortion, when supplied with an AC input of 120.0 volts.

He will then presumably want to allow some margin in his published numbers, relative to those numbers, to account for sample-to-sample differences that may occur in production, and to take into account reasonable differences that can be expected in line voltage, ambient temperature, and other variables. So let’s say that he decides to introduce a margin of approximately 16% (about one sixth) into each of the published specs, resulting in published ratings of 100 watts into 8 ohms and 150 watts into 4 ohms.

However **some** designers in that situation may instead choose to publish ratings of 75 watts into 8 ohms and 150 watts into 4 ohms, which as George has pointed out may help sell amplifiers because it can lead potential customers to consider the amp as being able to "double down." While from a marketing standpoint the downside of that kind of "specmanship" would be mitigated in the minds of many potential customers by the fact that 75 watts is only 1.25 db less than 100 watts!
The only sensible thing to do, If both are the same or quite similar topology, is to weigh the two final amp choices, and buy the heavier one.
Weight is actually a criterion that can indeed be helpful to take into account in choosing an amplifier, IMO, as there does tend to be a correlation between weight and quality (albeit a loose correlation of course), among amplifiers having similar topologies and that provide roughly similar power capabilities. Unfortunately, though, weight also tends to be significantly correlated with price, given those similarities.

Best regards,
-- Al

However **some** designers in that situation may instead choose to publish ratings of 75 watts into 8 ohms and 150 watts into 4 ohms, which as George has pointed out may help sell amplifiers because it can lead potential customers to consider the amp as being able to "double down."

Al, the big boys nearly all do it, just look at their own spec sheet proper-gander, and then compare it to actual test performed by independent testers.

I’ve PM’ed you a really good audio test sight, far more in-depth testing than Stereophile’s testing. You'll be able to view 2003/4 testing but have to join to view later ones 

Cheers George
Hey... Can I point out that what a designer decides to call his "rated output" is little more than the number he feels like advertising? So the amp will drive 100 watts into 2 ohm. It'll probably have no trouble driving 50 into 4 ohm and 25 into 8. And it will do 4 and 8 quite well because it can probably do better than that 50 and 25 watts. I know for a fact Nelson Pass does stuff like this. It's not like there's some law that stipulates an amp can ONLY do what it's rated for. It makes sense to understate the ratings and show excellent measurements. 
Blindjim

The Gryphon Kodo has active bass cabinets  with a dedicated 2000 watt amplifier inside each. The high/mid panels are very effecient and requires very little power. 
It makes sense to understate the ratings and show excellent measurements.

Yeah as Al and I both stated, it makes it look like the amps doubling, when it can’t. Good marketing, and false advertising, take your pick.

Cheers George