No preamp 'Balance' control?


Are preamps made without a Balance control? If so, can you live without control of balance (happily)? Depending on the recording, I make slight balance adjustments to lock everything in balance. Is this some sort of purist approach (if so, why not use a seperate volume control for each channel), or what's up with no balance control?
In advance, thanks!
louisl

Unless there is a gross imbalance, it is hard to know what one is missing without such a control until one gets to experiment with such controls.  The best way to hear what happens when you change balance is with remote-controlled balance adjustment (instantaneous comparison). Even extraordinarily small changes can be heard, and better balance does improve the sound.  I use to have a Mark Levinson No. 32 preamp in my system.  This unit allowed for .1 db increments of change in balance and/or volume.  I could not reliably hear even a 1.0 db change in volume with most music, but, a change in balance was another matter; I could easily hear a 0.2 db change in balance.  When center images where perfectly placed, the sound was better to me.  With the Mark Levinson, I could permanently program different channel balance for different sources, which helped with my phono setup because my cartridge had an imbalance of a little more than 1.0 db as compared to other sources.

I insist on some form of balance control, which is second only to remote control of volume level as a must-have feature on a linestage or preamp.

hi bondmanp, after thinking about balance controls on my mx132, I don't think a balance control would be appropriate on a 5 chanell unit.
I'm going to build a pre-amp. It will have no balance control. It won't even have pots. It will sound very good. 
Right now I am using a SS pre  that is not quite as good as my 8 tube pre simply because it has a balance control that gives me overall better sound with the limited locations I have in my 800sq ft condo .


schubert - If your SS pre has a tape monitor output or some sort of home theater pass through, you can route your source components through the SS pre and then into the tube pre, adjusting the balance in the SS and volume in the tube pre.  Hopefully, both are quiet enough that the elevated noise floor won't be an issue, or, at least, less of an issue than your current situation.