Belles Greatest Integrated ever! The Virtuoso


Just before the Holiday's, I noticed on several authorized Belles websites, that certain separates went out of production which is a pattern that would indicate new products are forthcoming, and sure enough a new Integrated popped up on the Belles website last week, which appears to be his greatest integrated amp to date. The Virtuoso,
putting out over 200 watts per channel into 8 ohms, HT bypass, Processor loop, MM & MC phono stage, and power meters on the front panel. The unit will be released in March at a price tag of $6495. Given David Belles reputation during the past 30 years, who has always been at the top of his game as perhaps the best solid state engineer designer ever in the states, since musicality has always been his first order of business, it wouldn't surprise me at all that the Virtuoso will fly out the door and winds up on the back order list. Its a real looker.
Very handsome unit. Well done David! Its what we've been waiting for.
audiozen
2chfreak..Haven't heard any of the current Vandersteen models, and it appears he has taken on engineers that has improved his designs in recent years but that was not the case back in the 90's when all his model's were the open frame design with the sock over the frame. His speaker's back then sounded absolutely horrible. Why did he get such high praise back then?
Because of big bucks going to Stereophile. During the late 80's and early 90's Richard Vandersteen had the largest annual advertising contract with Stereophile. For four years + he had a full page ad on the back cover every month. Most of the ads were the 2 CE. In the summer of 1998 I decided to check out the 2 CE's and called my friend Keith from the Washington Audio Society and asked him to go down to Tacoma with me and listen to the CE's at Advanced Audio. We arrived at the store, and the owner, Curtis, took us into the sound room where he set up a system to the 2 CE's. The gear used was an Audible Illusion's Modulus 3A preamp, an Ayre amplifier and a Wadia CD player. I brought some master CD recordings with me and started off with Copelands' Rodeo. The spectacular opening of Rodeo with its powerful timpani's and crashing symbols sounded flat and dull. The bass was loose and flabby with a narrow soundstage with no hall effect and poor imaging. Keith and I looked at each other and were shocked how bad the speaker sounded especially the bottom end that had low SPL capability. For two hours we threw everything at the Vandy's, Brubeck, Zeppelin, Beethoven. It just couldn't deliver the goods. Two days later I called and spoke to Richard Vandersteen and asked him what the maximum SPL/weighted decibel level the speaker could reach before breaking down. His response was.."What do you mean by weighted?" I explained and he went dead quiet, then replied loosing his temper and yelled at me saying, "I don't have time to answer technical question's" and slammed the phone on me. I mentioned my experience with senior member's of the audio society and they burst out laughing and told me that Richard is well known in the industry for his bad temper. If you ever decide to move on from Vandersteen, I will turn you on to a true treasure speaker that I would call the "Belles" of stereo speakers from a small boutique company. Their best floor stander cabinet is made from bamboo. The strongest natural fiber panels available. Bamboo is 500% stronger than MDF which everyone uses to make speakers since MDF is cheap. Bamboo also weighs 50% less. The guy who makes these speakers is just like Dave Belles. Makes speakers for music lovers. His top floor stander only cost two grand and you would be hard pressed to find a better speaker anywhere under $10K that could best it. Its the speaker I have finally decided on that is a match made in heaven with the Virtuoso.
audiozen - You have provided quite a few revelations that I was unaware of about Vandersteen. It's always nice to get the inside scoop, and hear about personal experiences, good and bad because I do want to know about a companies true intentions and how committed they are to achieving excellence, as well as rock solid customer support. I wasn't all that familiar with Stereophile back then - really knew next to nothing about Vandersteen until I listened to them late '16. Vandersteens ads, at least the ones in Stereophile and TAS that I'm familiar with, are relatively simple one page affairs that don't exactly bang you over the head.  I never would have guessed that he had the largest advertising contract with a major magazine. If he's a hot head, like you say, well I certainly don't condone that type of behavior and personality, but I have dealt with such types quite a few times along the way and it can become unbearable for all parties concerned. I try to see the good in everybody, but sometimes you need a magnifying glass to see it!
My speakers have the "sock", and that doesn't bother me because it's the sound that I focus on as a priority. I really like my 1Ci's, and am used to the way they sound with the Belles. The room is pretty small, 11 1/2 x 12 1/2 ft, 8 ft ceiling, and I would love to get them into a bigger space but am unable at this time. I have never turned the volume up half way, not even close. The Aria isn't going anywhere in the foreseeable future, but if you, or someone else convinced me that I could do better than the Vandersteens, or rather the speakers convinced me, I would certainly be open the making a change at some point.
So yes, I'm intrigued by this "Belles of speakers" you have mentioned, and if it was a heavenly match with the Aria, and was a quantum leap over the Vandersteens, then I would seriously consider making the change. i don't want to twist your arm, but if you don't tell me what it is, I might go all RV on you and God knows there are enough loose cannons in this world already! So yeah, give me the low down so my high blood pressure doesn't get out of control.
Thanks for the information, and good luck on your Virtuoso quest to reach the audio promised land.                                                                                                                                                                           
((((The gear used was an Audible Illusion’s Modulus 3A preamp, an Ayre amplifier)))

Audiodozen Thanks for your well-intended observations above.
I know you are fond of this new nice speaker and I am sure it is fine design
that I would love to also hear.

There is something that you should know that’s very important and would have happened to your nice speaker or any well-designed speaker as well back then with that pairing.
We carried all three of the components and made the same mistakes as Curtis

Here is a case of you shot the wrong messenger and I’m sure not intentionally as I would also agree with what you heard as spot on.

Here’s Why.......
First, the Ayre is a nice amp at the time of introduction it had a 10 K input impedance its a balanced bridge zero feedback design and was at its best with its own brand balanced pre amp which
Curtis or I didn’t have until later when it came out.
Enter the Balanced K1
The K1 together balanced with Ayres own amp were superb together and it drove that ayre amp to perfection we heard things we never heard before in recordings with that pairing with Vandys

The Audible Illusions tube preamp was not balanced but RCA output it had a 1200 ohm output impedance.
When you place AI / Ayre together these 2 mismatched components together with any well-designed speaker its a major mismatch.

I agreed with you 100 percent and know what you heard as it was a bleak pairing but it’s not the speaker’s fault as the speaker was only the messenger.

The AI preamp cant drive the10 k load.hence the extremes get rolled off soggy bass no dynamics elevator mids you get the picture etc.

Later Ayre because of this happening to many others changed the input impedance spec of its amps to 100 K and now higher. This gave a much friendlier interface with matching other preamp owners equipment.

Back then the Belles amps were 100 k and worked Fine with AI preamps
I even remember hooking up Soundstage reviewer Doug Blackburn that purchassed Vandy 2s / 3A sigs with Belles and AI and later went to an all Belles pairing and loved it gave Vandersteen Reviewers choice.
Cheers JohnnyR
PS.
Nowadays
Vandys play Beethoven with the Belles like the Vienna Philharmonic.WOM
You may need to come to Jersey to hear it.
The problem was the 2CE speaker. Not the amp and preamp. Several times during the listening session we switched back and forth with a Genesis floor stander. The sound from the same gear coming through the Genesis was spectacular. Aaron Nevilles' voice floating in front on the speaker with remarkable 3D imaging was remarkable and the bottom end was outstanding. Believe me, I'm the last person on earth that needs and education on the technical values matching gear regarding impedance,
capacitance, or resistance values between components, matching cables or interconnects. Curtis made no mistake. Nice try.
2chreak..The current Vandy's look really good. Better crossover boards and better drivers. The speaker I'm referring to that I'm purchasing when the Virtuoso is released is designed by former top speaker engineer at Miller & Kreisel. Their professional pro line back in the 80's was overkill
and their speaker's were used in just about every pro recording studio coast to coast. The designer is David Fabrikant. Hes off the radar just like Belles and his speaker's are killer. Absolute killer. He only sells factory direct and is one of the most decent, friendly, enjoyable audio engineers to chat with, and he has the best customer service I have experienced in thirty years. His company is Ascend Acoustics. And his killer Sierra Tower is one to beat at $10K and under. He is also a speaker/driver designer.
He co-designed his NrT dome tweeter with SEAS which took two years.
The speaker is the Sierra Tower.  Check out this review on the EnjoytheMusic website, which is for Musicphiles, not Audiophiles. This past November, I sold by Ascend CBM-170 SE's with my Mira integrated
and Sony SACD player and I must say those little CBM bugger's are some of the best little bookshelf's I've heard during the past 30 years.
David likes staying off the radar and works 12 to 15 hours a day to satisfy his customers. He is a true music man that builds speakers for music lover's, the musicphiles.

 www.enjoythemusic.com/magazine/equipment/0312/sierra_tower_htm

            www.ascendacoustics.com