Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


rvpiano
If your System has no weak links you can come very close to live music .
Heard one of the greatest Brit pianists 2 weeks ago live , came home and played same music , only real difference was in volume and slight dynamic compression .
Ditto for a Brahms 1st a few weeks before that .
Synergy is everything .


I have maybe 20K in my entire system but it took a lot more than that and many years to get everything just right ,also, like anything , some luck . IMO much of it is impedence matching which is a cut and paste deal .

And yes it really doesn’t matter .


Totally agree, newbee.  I’ve often wondered why I sometimes can get into the music better with my car radio than with my system, which is twenty times more expensive (at least.)
The reason is, I don’t care how it sounds.  I’m just listening to the music.
 I admit I have to make a conscious effort to NOT pick CDs and records for their sound quality, but for the music that’s on them.
  As you say, that is the downside of this hobby.  Ironically, if you’re not wary, it can be, and is, counter productive to the love and appreciation of the music.

That is not to say that a high end system cannot enhance the musical experience.
 Indeed, when you’re listening for the MUSIC, it can multiply your enjoyment to ecstatic levels.
Schubert:

I agree, a high end system can come close to reality with small forces such as a piano, string quartet or a solo human voice.
The problem in reproduction arises with the addition of multiple instruments or voices.  The myriad of overtones projected by a full orchestra or chorus, for example, makes it impossible, at this point, to come close to reality in your listening room.
  I believe you have to resort to that “suspension of disbelief” and let your imagination fill in the missing partials.
It's not impossible if every item in your system does not get in the way of any other item . Just takes a thousand changes .