Focal Kanta No.2


Focal introduced a new line today beginning with the Kanta No.2. It looks like they're positioning it between the W cone equipped 1000 series and the Sopra. It's got the shape of the older Utopia products before they went segmented. Any thoughts? Curious what people will think when they hear them. 
kosst_amojan
The bottom two woofers in the Aria 936 have low crossover point at the same frequency and slope, with the minor differences seen are mostly due to cabinet placement and are acoustic in nature. The top woofer shares the same low cross point and slope but not high crossover, as the slope is reduced, most likely improving the mid range integration. Both front ports and bottom ports are tuned to the same point.

The Kanta2 has a similar height, width, but bit more depth with a smaller number of drivers, which gives the woofers a bit more cabinet volume to work with. They should perform inline with speakers using similarly sized woofers, but always remember designers have differences on how much distortion they want to allow their system to produce. A smaller woofer will require greater excursion to achieve this with the countering factor will be increasing distortion. Focal tends to lean towards minimizing this distortion and will keep high order crossover slopes in order to do so. This is giving up on the very lowest octaves that aid in giving room pressurization but keeps a cleaner mid and upper bass area in addition to the lower midrange. Compromises in anything.

Someone listed a pair of Kanta here yesterday in bright yellow.  May still be for sale.
Na.... There's not really some direct, unequivocal correlation between excursion and distortion like so many want to believe in order to justify giant drivers. Making a more linear motor is an easier task than building a bigger, stiffer, properly damped cone. Focal and many others have built impressive businesses and speaker with 6 to 8 inch cones. 
It actually is an absolute direct correlation and proven through both computational FEA and measurement. You get a substantial area in increase when moving from six to eight inch cones and this allow substantially reduced excursion and pressure exerted on the cone to achieve similar amplitude at lower bass frequencies. So while the shorter cone is stiffer due to its smaller size, its generally a linear gain unless shape is changed, which it usually is in most cases. The force increase on the other hand is a non linear function as there are multiple factors at play, the pressure itself and increase in cone velocity and acceleration in air. A smaller driver will always requires more energy to achieve the same output as larger driver in low bass area. An eight inch cone offers about fifty percent more area than a six and half inch cone. Now as that cone gets larger, the ability to achieve the rates of acceleration at higher frequencies becomes overly challenging. Not to mention the dispersion beaming that also occurs, which a six inch cone begins to beam at around 2khz, maybe slightly less. I'd do believe there would be artifacts if the wavelength produced becomes larger than the cone, but I'm not sure if its of any issues at the sized being discussed.

In ending, there isn't a single part of the driver that wouldn't require significantly more buildup if wanted to achieve a similar lower frequency performance without distortion increase. It might even be easier to use Focal's own EM technology to achieve what your proposing, but at a notable cost. Going to a larger cone is simply much more cost effective and negative is mainly overall size and increase in baffle if front mounted, a negative if trying to increase dispersion width but can be addressed with baffle shaping.
Post removed