I used to be tbg. In the last five years thanks to several manufactures, I have gone to realism that I never thought was possible. I had thought that I was hearing all that was in the recording. I was missing many of the instrument harmonics, much of the decay of notes in the hall or studio, and many noises of the performers breathing, changing positions on the strings that you probably would only hear were you as close as the mikes, but now my speakers vanish and the speaker end of my large listening room is replaced by the hall or studio and instruments appear where I never heard them. The old saw of hearing the piano in another room and knowing whether it is real or a recording is lost-everything is real.
In no particular order I thank Miguel Alvarez, Rick Schultz, Roger Paul, Audio Points, Star Sound Tech Rhythm racks and Platforms, Zilplex cups, Mr. Ikeda for the Kai cartridge and recording engineers for capturing more than they could have ever heard.
In no particular order I thank Miguel Alvarez, Rick Schultz, Roger Paul, Audio Points, Star Sound Tech Rhythm racks and Platforms, Zilplex cups, Mr. Ikeda for the Kai cartridge and recording engineers for capturing more than they could have ever heard.