Bass trapping - corners or walls?


I've been reading articles on the ASC website and it seems that they contradict themselves regarding placement of bass traps. Most of their placement articles discusses placing bass traps in the corners. But the article below actually says that traps in corners are not that important and that traps along the mid point of opposite walls are more beneficial. What gives?

http://www.tubetrap.com/bass_traps_articles/iar89.htm
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@auxinput@geofkait:  My tubes have 12” of sheet metal, facing toward the listening position and are out between the listening position and the side wall on the same plane.  The other two tubes are straight out from each speaker, up against the side wall.  I used 1” compressed fiberglass panels and most do have the foil.  They’re placed 2” out and mounted on my knee walls with extension brackets, so the back of the panels will do work too.  I’ve considered building some diaphragmatic broadband traps, like acoustic fields advertises. I need something in a wide range of lower frequencies.  I do have a higher build up around 60 hz, but think the absorbers mentioned from Dennis Foley will take care of this.  BTW, I read where he’s going to have a traveling room, where he will pick cities to demonstrate his absorbers.  Does anyone have any direct experience with his products?  I have my 2 subs coming out of my line stage tape monitor loop and connected to a Sony E 2000esd, so along with the room correction program on the subs, I can remotely control the volume for the subs, as well as control the frequency, with the parametric eq on the Sony, depending on the album/CD played.  I’m seriously considering a Manley Massive Passive, but the cost is high.  Any thoughts on this?
For a stubborn 60 Hz standing wave in my room I once built a 15 foot long folded S shape Helmholtz resonator using 6” diameter PVC PIPE, PIPE ELBOWS, END CAP, pipe fitting nozzle, PVC purple prep, PVC cement and a grapefruit size ball of hollow fiber wool inside for internal damping. Problem solved.

I don't know enough about your 12" sheet metal tubes (which I assume are your DIY version of ASC).  I have no experience with ASC traps, so I can't comment.

I don't have any experience with Dennis Foley's product.  It might be good.  It could be another variation of tuned membrane, but he really doesn't say.  Keep in mind that they are $1,000+ each and are very huge.  They have a really large 16" depth (which means they are going to stick out in the room like a large footprint speaker).  They do have a very large 30x60 face, which would be good for low frequency capture.  If you have the money and the room to place them, they might work out well.  DIY tuned membrane panels at 55hz would be 6" to 7-1/2" deep depending on thickness of membrane (either 3/16" or 1/4").  You can build them as large as you want.  Mine are 24" x 36".  It is definitely an interesting design using dual damped front wall diaphragms and carbon damping.  Could work out very well.  Shipping will probably be very expensive (maybe 300-400 dollars each) because they are oversize and very heavy (I've read 150-225lbs each).

You would need 3 GIK Scopus traps ($750) to match the area of a Dennis Foley.  Or two of the 24x36 DIY panels.

@geoffkait   Sounds interesting, but I don't have the space. @auxinput I would never buy the absorber from Foley-can't afford the shipping for one thing. Sounds like u solved your problem. Mine has too many problem frequencies for that. Although it may not sound like it from what I'm saying, my room sounds pretty good. RTA says the frequencies I mentioned are a little hot. 
@auxinput,

I am considering GIK soffit traps to help me with a bass null, and I would be grateful if you could expand upon the comment you made above:
The thick GIK soffit traps really don't do much here.
It would be great to hear your experiences with these traps, their pros and cons, and why you don't think they would do much.  Thanks in a advance for your thoughts.