Yeah terry9...I was simply yammering...I prefer simple stuff...single ended amp, tube preamp, clean ear canals, etc.
Kalili...2 good condenser mics, one over the treble side and one down the bass side does the job. Some EQ and general level tweaking is applied to each mic and you have to make sure there are no phase issues (that's obvious and rare really). Some pianists bring their own mics for this (Fred Hersch...can't remember what mic he used, but hey...they worked fine), and I did a show with Eldar (youngish hot shot piano player, nice guy) who wanted to take the large diaphragm condenser mic I was using as an overhead on the drums and stick it in the Steinway with the lid closed (supported by a stand sticking through the lid crack)...that worked also.
Kalili...2 good condenser mics, one over the treble side and one down the bass side does the job. Some EQ and general level tweaking is applied to each mic and you have to make sure there are no phase issues (that's obvious and rare really). Some pianists bring their own mics for this (Fred Hersch...can't remember what mic he used, but hey...they worked fine), and I did a show with Eldar (youngish hot shot piano player, nice guy) who wanted to take the large diaphragm condenser mic I was using as an overhead on the drums and stick it in the Steinway with the lid closed (supported by a stand sticking through the lid crack)...that worked also.

