Bondmanp- your posts may be long, but when I'm done reading them, I want more. Keep 'em coming.
I think it's important to note shortcomings in the Ohm's (and all speakers, for that matter)- otherwise we become unabashed fan-boys and might as well post on the Audioholics forum. :P
I have very little criticism of the Micro Walsh Talls, although I occassionally miss the bombast that my Deftech BP2006's could impart, especially on movie soundtracks. The Ohm's just don't seem to add to the drama, but rather present what's there- for better or worse.
I've also noted that the soundstage does not move 'into the room' per se. In that sense, it's a bit like a live performance of unamplified music I guess.
I did notice some glare at about the 2 month mark of owning them. It calmed down considerably. Not sure if it's break-in so much as settling into final placement, about 5' 1" apart and 15" from the rear wall (still looks awfully close to my eye, but just right to my ear)
I think it's important to note shortcomings in the Ohm's (and all speakers, for that matter)- otherwise we become unabashed fan-boys and might as well post on the Audioholics forum. :P
I have very little criticism of the Micro Walsh Talls, although I occassionally miss the bombast that my Deftech BP2006's could impart, especially on movie soundtracks. The Ohm's just don't seem to add to the drama, but rather present what's there- for better or worse.
I've also noted that the soundstage does not move 'into the room' per se. In that sense, it's a bit like a live performance of unamplified music I guess.
I did notice some glare at about the 2 month mark of owning them. It calmed down considerably. Not sure if it's break-in so much as settling into final placement, about 5' 1" apart and 15" from the rear wall (still looks awfully close to my eye, but just right to my ear)

