My Odyssey Stratos HT3 is rated at >500 continuous damping factor. While run full range the 2000s sounded great, my beloved Vandy 2Wq subs (a pair of them) naturally put more extended, more powerful bass into the room than the Ohms alone. I think the combo of the 2Wqs and the Walsh 2000s is fantastic (although any good speaker that extends to 40Hz will work well with the Vandy subs).
As for the bass on vinyl, IMO, it can be quite deep and full. True, vinyl has physical limitations, but that is what RIAA EQ (and other EQ) circuits are for. Well-recorded vinyl through the MM phono section on my Connie-J PV-11 preamp does not lack bass. Much rock on vinyl is no better mixed and mastered than rock is on CD. Garbage-in, garbage-out, as they say.
For those of you following my Walsh 2000 saga, I am hoping to order the spike cradle bases from Sound Anchors soon.
As for the bass on vinyl, IMO, it can be quite deep and full. True, vinyl has physical limitations, but that is what RIAA EQ (and other EQ) circuits are for. Well-recorded vinyl through the MM phono section on my Connie-J PV-11 preamp does not lack bass. Much rock on vinyl is no better mixed and mastered than rock is on CD. Garbage-in, garbage-out, as they say.
For those of you following my Walsh 2000 saga, I am hoping to order the spike cradle bases from Sound Anchors soon.

