In search for speakers of "natural" sound

Huy; again, I am not in your room. Everything matters. The flatscreen in between the speakers has to go. It is not about being on or off, it is about that highly reflective surface where you need a sound absorbing surface.  If it can’t go, you must find a way to temporarily cover it up with sound absorbing material. Look up GIK Acoustics. Your Harbeths coming out into the room will decrease gross bass but once you get out of the room nodes (look this up), your bass will sound tight and more realistic (less bloated). Tiny changes make a huge difference, most times. The only proper way to do this is to lay down painters tape into grids so that you can keep your changes consistent. Let me say it again because it can not be said enough, everything matters. You must nullify first reflection points at the side walls and ceiling. You must have complimentary cabling. You must have a clean power supply. You must have the right seating position. Pick up Jim Smith’s book "Get Better Sound". Jim has a hundred or more tips and some will apply and some will not. If you take the time to try his tips, most of which are labor intensive but not expensive, you will find the sound you are missing. Please trust me-it is not your speakers and simply looking for some magic speaker to obtain your desired "natural sound" is, uh, not natural.

Ohm Walsh with patented CLS (Coherent Line Source) driver would be worth a listen for something totally different and very natural sounding.    I think they have a demo room at upcoming Capital Audifest in DC area.  

*chuckle*
Invoke 'natural' and they're off and running.... ;)
Me?  Just an absurder...'scuse, an Observer....*G*

audiokinesis has some good observations on the subject, as does fsonic...mapman (Hi, guy! *G*) and I are Walsh omni fans, although our taste in 'device applied' is somewhat Different (Ohm vs. DIY, respectively), although the basic desire and concept is the same.

All recorded music is subject to all the tech and tricks that I'm sure you're aware of....in short, a construct.  At the end of the day, all we can strive for is what sounds 'correct'...IMHO, YHO, Anyones'...

I've got the usual 'inputs'...TT, CD, tape, digital sources....
i've got direct radiators, ribbons, my Walsh's...even a pair of Maggies....
Working to add a pair or two of DMLs', just to add to the 'reference mix' of having at play just to be able to 'sample' what they sound like.
My 'stack' of equipment can't go into the typical 'living room'; it looks like a Frankenstack of consumer/pro/DIY/'puter 'stuff' that I can apply 4 levels of eq AND xover AND switchgears so that any or ALL can be running at once....so I can either make them sound like themselves, alone...

...or like each other....in a (granted) crappy space

I find more variance in the recordings.

Pick what sounds good to you.  Until you fall out of love with it.

Happy hunting, and good variable factors. *S*

Have you listened to ATC speakers?.

" You can lead a horse to water, but you can't fix a wife. That's a WAF joke."

...also known as 'gallows humor', the initial response to the Trojan women's 'strike', or another aside from the current  _resident....
('P' deleted on purpose) ;)....

I'm lucky, I suppose...my spouse generally likes what I make music Sound like....it's what I occasionally choose to Play on it that invokes 'THE LOOK' that made Medusa infamous...

She likes the AMT's, Loves the Maggies' (but can't sit still...*shrug*), and is actually looking forward to when I can make the Walsh's a bit more *ah* LRF (Living Room Friendly) if there's going to be 4 of them....(*...rubbing hands with glee*)....