JBL 4367: What an AMAZING sounding speaker!


Less of a review and more of my initial impressions after living with the Jbl 4367 for about a month now. System consists of a Kinki Studio ex-m1 integrated amplifier, a schiit Yggdrasil v2 being fed by my computer, interconnects are Dyson Audio, Cullen cable power cords, and blue jeans speaker cables. My taste in music is predominately classical, jazz, and hard rock, as well as rap, and metal. I love me some Metellica and Kanye West almost as much as I love Mozart and Coltrane. The room is small, 15x10x9. They are set up on the long wall, 12.5ft apart from tweeter to tweeter, and I sit 10 feet away, with the speakers toed in not insignificantly; pointing just to the sides of my head. Believe it or not I have had very little issues with the JBL behaving in my room. Perhaps because it is furnished just right, my careful use of bass traps and absorption panels, the actual construction of the room (suspended wood floor, and dry wall in front of brick for the walls) but I have felt no want for better sound, given my situation. I dare say that the JBL 4367 are perhaps the best speaker I could have picked for my room.

This is a very good loudspeaker. Sound is much better than my previously owned speakers, KEF LS50, KEF R300, Arteluthe Cadenza and Harbeth 30.2. All were very good speakers In their own right but the JBL 4367 makes them all sound like toys. Soundstage and imaging is ridiculous, and the midrange is to die for. Joni Mitchell both sides now and Diana Krall When I look in your eyes and Sarah K. Turn Into Nothing are my 3 reference tracks that I use to judge the midrange, specifically the female vocal midrange. These 3 tracks really have a thick presence, if played on a system done right you genuinely feel you are there in the venue. This is not a case of “it’s like the performer is in the room” no, it’s a case of “I feel like I’m there at the venue live”, the titular track from Both Sides Now, Joni Mitchell’s voice hangs in the air and when I close my eyes I can just imagine myself transported to a dimly lit jazz bar, The air heavy and thick with cigarette smoke, and her singing so soulfully into the mic. What a wonderful album. It has slowly been becoming one of my all time favourites.

I am constantly floored how real the musical presentation is, on albums and tracks recorded in the studio, I get the sense that the singers are floating in the air in front of me. There is a real “stage” to the sound, an intimacy to the music that is soulful; engaging to the point I’m emotionally moved. This is constant, from song to song. Albums that I love to death but have always sounded quite harsh on almost unlistenable are now extremely pleasant and FUN. Bon Jovis vocals on many of the tracks on Slippery When Wet have a sibilence to them on the many speakers I tried. Somehow, the JBL 4367 compression driver and horn system brushes away the sibilence and presents vocals that are crisp, detailed and heavy. This is my kind of rock! On my previous setups, I found the vocals to get very confused and muddled in with the hard rock riffs. The guitars on Rush’s Moving Pictures never sounded so good. I cranked Tom Sawyer and YYZ at pretty ear splitting (100db peaks) levels and it was nearly peeling the skin off my face. Crunchy bass the real deal kind of bass guitar noise: the JBL can deliver that accurate sound. And the drum kit, espesxially on YYZ. Just FUN!! I’ve heard people say that Neil isn’t a good drummer, or he’s boring, or has no soul. I DARE you to say that after hearing Moving Pictures on the JBL 4367!

The JBL 4367 offered and continues to offer up dynamics on an unheard level for me. Sheffield drum kit at 105db peaks felt exactly as I imagine it should have. Guttural bass slam that startles you with its huge swings in sound pressure. The large 15” woofers can stop and go on a dime. When I listen to music I find myself losing track of time. What was supposed to be just a few songs turns into a marathon session of at least 6 hours. I really get carried away often and forget to eat.

I hope this impression was useful to someone. If you have other questions please Ask and I will be happy to answer.
d2girls
Hi D2 girls,
Glad to read you like your JBL 4367's. For almost four years I've been enjoying my 4365's. When the 4367's were introduced I instantly became jealous. I really want to hear that D2 driver, but there are no JBL dealers in my area and none of my friends own a pair of 4367's, unfortunately. 

Every time I read a positive review of the 4367's I see a 'for sale' sign on my 4365's and I start looking into purchasing a pair of 4367's.   

I've been a long time JBL fan starting as a teenager in the early to mid 1970's. Presently I own 8 pairs of "real" studio monitors and consumer "home" speakers spanning over 40 years, most bought new (not all.) Some times being a JBL fan can be tough. IMO, there have been in the past and still are a lot of "haters" out there.  

As a long time two channel audio nut I'm glad to see the younger generation such as yourself take interest in this field. Especially, a young woman. Thinking as a Baby Boomer, there is hope for the Millennial generation (just kidding!) I begin to wonder when almost all I see and read about are ear buds and mp3's.
Happy listening!, Mark

PS- ...and Grandpa says... throw-on some live Zeppelin and listen to those JBL's sing! 
What I am trying to figure out is why there is such an undefined line with the suggested retail price of JBL. Some of the Pro line seems quite costly vs. home consumer models, but then as you go up the consumer line of JBL speakers the price takes huge increases. 

One poster said that you can get substantial discounts on them, but when I look at what I believe are certified dealers such as Music Direct, the price they quote for any JBL is full retail and says no further discounts apply. Hmmmm.
If you look on music direct they have several Synthesis models at a significant discount. I've read that the pro series does not have massive profit margins compared to the Synthesis line. Which makes sense because I've seen dealer demos go for about 30% off list.
Can I recommend Montrose "first" as a nice listening. May that be the best ever first album (light-hard rock)? Was released as I recall it some months before Rush "first" and was much better sounding. And with a lot more energy. Should be a really nice listening cranked up on some JBL 4367! By the way if you like early Rush then give a listening to Budgie. Rush a copycat?
Would like to hear the JBL besides my ATC 150 ASL. Agree with you fully on the woofer-size. When someone wants to argue about cables I just say "Go and get yourself some nice 15 inches and then we can start talking..). Good rock to you :-)
I owned a pair of 4367s for a year, and swapped a large amount of gear, trying to get the best sound possible out of them for my tastes.  

They are awesome speakers.  Period.  I sold them as I couldn't filter out a sharp high-end peak that bothered me.  Yes, my room has extensive acoustic management applied.

I then bought a pair of Revel Salon 2, which I quickly sold them as I found them to be a bit too "vanilla"  despite all of the gear swaps that I attempted.

I now have the JBL M2's which are going to be my last speakers.  The active equalization has smoothed out the high-end that bothered me on the 4367s.
If I had to sell the M2s for some reason, I would get another pair of the 4367s without a doubt.