Floorstanders designed to be against the wall?


In the old days there was Allison, who designed great floorstanders to work perfectly against a wall. I need a modern equivalent of Allison Ones, to stand against a wall and fill a large room. I know that North Creek Kitty Kat Revelators are designed for this purpose, but I need something larger to fill a larger space than a small monitor would do, as well as providing bigger bass output. I need speakers that are specifically designed this way, though, not full-range speakers that "can work somewhat" close to a wall, and invariably fall short in the soundstaging department. Suggestions, please?
springbok10
Having researched this question a couple of years ago, I discovered that there were a few speakers that were deliberately designed to be placed against the wall as opposed to speakers that "can work somewhat" close to the wall. The ones that were designed to be placed against the wall included a number of British companies - Linn, Naim, and Audio Note to mention a few. I am currently using my Zu Definition 2s within 4" of the wall; they were not designed for this placement, but they do work quite well.
Gsm 18439, this is exactly my point. I have been told on numerous occasions by dealers and mnufacturers that speaker x and y work just fine against the front wall - but they never do - imaging suffers - so my question is which speakers are specifically designed for that purpose - which brings to mind very few modern speakers. Appropos that, has anyone tried/heard the North Creek Kat Revelator, which was designed for this purpose?
ROOM COMPENSATION
While conventional speakers must be perfectly positioned in the room to maximize their low-frequency performance, the Vandersteen Model Fives As and either Wood or Standard Quatro's can be positioned in a convenient location and then tuned to the requirements of that particular placement. The subwoofer amplifier incorporates multiple unique adjustments that allow the speaker's low frequencies to be matched to its environment and the preferences of its owner. Model Five,and Quatro design owners can adjust the sensitivity of the subwoofer section and contour the subwoofer's response. The sensitivity adjustment increases or decreases the overall level of the bass without changing its character. The low frequency contour control adjusts the Q of the subwoofer to accommodate different rooms, listening tastes, or system modes. In subwoofer engineering terms, system Q is the product of a complex mathematical equation derived from driver, electrical, and enclosure parameters. In practical terms, it relates to the character of the bass response. A low Q subwoofer sounds very tight and controlled. A high Q subwoofer produces a full, warm bass with more energy in the most audible bass range.

Each speaker also has eleven, adjustable compensation controls that modify the subwoofer's response to precisely counter room and placement induced non linearities. When the speakers are initially set up by dealer in the owner's home, the Vandersteen Warble Test test CD is inserted and compensation controls then adjusted for the most linear bass response at the listening position. Once set these controls will not need to be readjusted unless the speaker placement or listening position changes significantly.
Having installed hundreds of pairs of Vandersteen Five and Quatro series we are consistently reminded after each tuning of how versatile,adaptable this design is even when speakers were only inches from the wall.
Best John Rutan
I may be going out on a limb here . . but from what I have read and heard, most designers of speakers meant to be against the wall do not seem to have soundstaging as the highest priority compared to other considerations. The Allison speakers were an unconventional design - especially the Allison One and Allision Two; they still appear occasionally on the pre-owned market. Another possible contender, now that I think of it, might be GURU: www.sjofnhifi.com/products.html. They are designed to be against the wall and are supposed to excel in soundstaging.
I'll second the suggestion on the Snell Type A's. While they can be flat against the wall, mine sound best about 16-18 inches off the wall. If you want to fill a large space, they can do it with an amazing midrange, big & refined bass, imaging/soundstage...and they easily disappear. Awesome speaker for such a modest cost.

You'll need some power though...it's a 4 ohm speaker at 86dB sensitivity.