What separate tube phono stage do you use ?


Allnic, Manley and Herron are quite common. Interested in what else is out there that is not mentioned often. Good enough performance at the level of entry level Allnic and above. Lamm is great, I know.
inna
Not 40 models but maybe 10 or so that I would like to audition, theoretically speaking. Since I won't go to dealers unless they have it used, what do I do, buy and sell them one by one or take a guess ?
Also, since I would be rarely play records after making recordings, most of the time the phono and turntable would be just sitting there. I believe that two track 15 ips recordings would be just or almost just as good as vinyl, better in some respect - smoother and more coherent, and in some cases of bad original recordings even 7.5 ips would be enough.
What would be better overall - separate phono plus transformer or, say, Ralph's MP-3 preamp with phono ? Probably it depends, on the phono and the transformer.
When choosing the equipment, especially expensive equipment, that I plan to keep for a long time, first of all I try to form an impression of a designer. It should also be easy to have it repaired and maybe upgraded and even customized. Here Atma-Sphere wins, I think.
In addition, I pay attention on this forum to who uses what and with what, and their music preferences if I can figure it out. Allnic, though not the entry level model, is indeed used by some serious audiophiles. Allnic comes with NOS tubes, I guess, and they have replacement. I did hear very positive opinions of Aesthetix and Tron phono stages before.
So, if I wanted to get into it right away, I would start with these four companies - Atma-Shere, Allnic, Aesthetics and Tron. Lamm is impossible to find used and if it was it would most likely be too much to pay for. Atma-Sphere would be the first to try. Besides, what Ralph makes looks very much like pro equipment, this should match well with pro deck. And MP-3 should match well with many power amps, but again I may in fact only need it to make recordings if deck goes directly to power amp. I would of course compare directly to power amp with by way of preamp. Maybe both excellent but somewhat different..?
 
Just bought an Allnic H1201 to replace an iPhono II. Seems to work well with my Purpleheart. I think the H1201 is being upgraded/replaced, as I bought mine new for an attractive price, the dealer saying it was being replaced in the lineup.
Who else makes tube preamps with excellent phono that could compete with Ralph's design ?
@inna
The problem you have is driving the input of the tape machine. If you are going to use a stand-alone phono section, it will undoubtedly have to use a matching transformer in order for you to do that.
Yes, Ralph, I got that. Unless I have the tape machine modified. How difficult is it ?
@orpheus10

Although NOS tubes are expensive, I would never purchase any that were even more expensive as a result of "exclusivity".

Any NOS tube from military bunch made by Telefunken or Mullard in the 50s or 60s are exclussive nowadays, but you pay more for the brand. Japanese tubes are no so expensive, as far as i know British Mullard made Matsushita tube factory in Japan. Those japanese tubes are really amazing and highly competitive to the best British made Mullard, but for less $