PMC Speakers

@rosami ,If it is possible, try to go a city like Chicago, New York, San Francisco etc and spend an entire day to audition your selected loudspeaker.The reason is, sometimes we have a preconceived notion based on user feedback, but when you YOURSELF listen to the speakers, it turns out to be something different.One of the posters here knows this very well because I told him how much I loved my ProAc D48R. But he was not thrilled by them. Instead h liked the Harbeth line of speakers.It is absolutely worthwhile that you listen to the loudspeakers in person.

Milpai
I completely agree that listening to any speaker is a must. I’ve read many opinions in these forums on various speakers and disagree with some and agree with others. There’s no substitute for listening to any speakers of interest. The problem is the differences in the various dealers rooms and electronics, and short “memory” when listening on different days. 
The search continues ...

Twoleftears
I’m driving my Thiel CS3.6s with a Naim NAP300. This amp drives the Thiels very well. 
It’s interesting that you switched from Thiels to several other brands - none of which has a first-order crossover.
I like speakers that can accurately locate a singer or instrument in the soundstage, with correct “size” - and I don’t like speakers that make a singer or instrument seem larger than life. Thiels image and, more importantly, focus very well-to a large degree due to their first-order crossovers. I don’t believe B&W, Proac, or PMCs have first-order crossovers. Are they able to also  portray pinpoint imaging - and is that s quality you look for in a speaker?
Thanks. 

Twoleftears
I’m driving my Thiel CS3.6s with a Naim NAP300 amp - it drives the difficult load of the Thiels very well. 
I believe the Thiels are the only Speakers on your list that have first order crossovers. Do the B&Ws, ProAcs, or PMCs do as well as the Thiels in focusing singers and instruments within the soundstage - and is this something you look for in a speaker?
Thanks.