Are "listening to" or "listening with"


Many many years ago, like Steve Gutenberg, I worked in motion picture projection booths. First as a projectionist, then doing industrial and circuit board design for a competitor of Dolby's.

As a projectionist, avoiding film scratches, and dust, ensuring lamps were rotated and offering proper edge to edge lighting, not to mention sound quality were always on my mind.

To the point that I could not watch movies anymore. In a real sense, the age of digital film was a sweet relief to me. I had literally trained my eyes/brain/reward centers to scan for imperfections, identify them and then rush to fix them. I was no better a movie watcher than anyone else. In fact, I was poorer for it, as I lost sight of framing, pacing, arguments and story telling, let alone human interaction on the screen.

The point I wanted to make is too often as audiophiles we do ourselves a disservice. We start listening TO equipment, instead of listening to music WITH equipment.

As with anything, to your own tastes be true, buy what you like, but make these choices about listening TO or WITH conscious ones. Know that if you listen TO you have a tough time listening WITH. Please yourself, but know that you are hacking your brain when you listen TO gear, and that this hacking may or may not be that rewarding in the end.
erik_squires
I feel the same way. There are times when you need to listen to the equipment but that is not when I'm happy and in truth, don't find it to be much fun at all. I know for others it is part of the fun and I've got no problem with that at all. Whatever floats your boat.

And there are times when I'm totally unaware of the equipment or even the recording. That usually occurs with a good recording and there is no point at which something doesn't sound quite right. That is the best situation of all.

Nonoise, I too find myself pulling out that 'reference' recording for reassurance.

However, being new to this and having jumped in head first I'm going through all the audiophile stages in rapid succession. And there is a little voice in my head telling me that my low end DAC just isn't all it could be or that I need to find a better streaming solution. And that bugs me and I'm having a hard time getting past it.

Wouldn't it be nice if all life's troubles were this bad?
erik, I also sympathize with what you say about doing something professionally spoiling the joy of that subject.

Two of my passions are photography and cooking. A lot of people get into those things and then want to do them as a job. That's the last thing I want from my hobbies. I can't imagine being under the pressure inherent in doing either of those things professionally. 
+1 n80
And thanks erik for the reminder. I enjoy my hobby better when I listen to the music and not the equipment. So much better. Thanks again.
My issue is not the "with" or the "to" but the recording. The best recordings transport me to where I'm in awe of the beauty of the music and an appreciation of the excellence of the reproduction chain. Listening to a great recording is the state of the art.
@noromance I agree. I hear people say that if your equipment is good enough you can accommodate for poor recordings. I’m sure you can to a certain extent but it seems counterintuitive that you can transform a poor recording to the level of a fine recording.

And it seems that for anyone who obsesses about SQ you have to start with a good recording.

So I tend to spend my time and money looking for good recordings now.

Audiogon is a good resource for that.