Turntable got absolutely crushed by CD

I love digital through my nuprime dac 10 or iPhone/dragonfly red/sennheiser6xx massdrops. I love analog through my nottingham space 294, Soundsmith zephyr Star, and musical surroundings Nova II.

Some albums sound better on digital. Some sound better on vinyl. I don’t see what the big deal is. There must be something wrong with me??? 

Dear @fleschler : I prefer too the 10 row for the same you like. My nearfield experiences were an " open eyes " to say the least and the greattest learning lessons in all my audio life.

So: am I throw away my LPs and analog rig?, certainly not. Because all what I posted here the anlog experiences are " appealing " when the audio system is truer/nearest to the recording.. I enjoy the analog experiences.The only system audio link that I always try to avoid is any single tube in the cartridge signal ( even that I used for many years tube electronics. ), full SS electronics is IMHO the rigth way to go till appears something better to honor the LIVE MUSIC.

I know a very well regarded cartridge designer that marketed and co-designed an all SS phono stage and knowing this gentleman I understand why.

That same gentleman was whom told me in  the cartridge MM extremely long thread that LOMC cartridges were lower in distortions than the very good MM alternative.

But in those " old times " I was really motivitaded/exited for my new MM/MI cartridge re-discovery and I said that MM was better.

Years latter I learned and he was totally rigth LOMC is way superior to the MM/MI alternative and there are several reasons about but this will be for some other thread. 

R.

@rauliruegas 
I tried my best to follow your reasoning, but had a hard time catching its essence. It's no help that I don't know what AHEE means. It almost sounds like a conspiracy to hide the audio truth from us. The X-files of the high end? Surely you are joking?

High end audio is a business like any other, subject to technological innovations as much as to fashions and trends. It's not always easy to tell which is which, because a solid frame of reference is missing and objective journalism is mostly lacking. Basically we're left to our own devices. Discussions on forums like this are our best shot at getting some useful information that can help us educate ourselves.

My own preference is still very much with analog. But I'm not in an analog bubble, so last year I decided to purchase a well regarded current model cd player to hear if much had happened in digital in the last 10 years or so. I previously owned Krell KPS 20i and Metronome T2i Signature players, which were well regarded players in their time. I enjoyed listening to them both, but always preferred my analog rig.

So in came an Esoteric K-05x. Way down from their top level of course, but still equipped with the latest generation processor and filter technology. I really wanted the Esoteric to shine, but it didn't appeal to me at all. I just couldn't shake the feeling I was listening to highly manipulated sound and not music. But many people think this is a great player, so what do I know?

Perhaps your distinction between 'sound lovers' and 'music lovers' does make some sense after all. But what is 'sound' to one person may well be 'music' to the next and vice versa. It's all subjective!

Edgewear, that's your diplomatic way of putting it, but there are clearly two distinct camps here; "sound lovers" and music lovers.

Live music can sound terrible as it usually does when it is played loud in small acoustic spaces, too amplified or in too live or dead rooms.  The acoustics where music is played is extremely important to the quality of the sound.  Recordings are often superior to live performances because they are engineered to capture the sound better.  As a part time recorder of an orchestra, chamber group and choirs and with 78s, LPs, CDs and RR tape, I hear all types of sounds from all types of venues.  I consider them all valid for music enjoyment.  If not, I don't listen.  I've heard great performances in terrible acoustics and on poor sounding recordings.  But when I hear a mediocre performance in great acoustics, I want to run away but with recordings, I just toss them.