@prof Thanks for that. It's a good a write up on the Harbeth sound as I've read since R.E.G.
The Harbeth lossy cabinet design is in direct opposition to the brute force inertia approach adopted by almost everyone else so it's very helpful to read your impressions.
I guess Alan Shaw himself would be happy to hear that all his efforts result in 'an almost peerless' rendition of the the human voice.
This has always been the key priority for Harbeth, no doubt stemming from it's BBC legacy where it's major emphasis on the clarity of speech.
The Harbeth lossy cabinet design is in direct opposition to the brute force inertia approach adopted by almost everyone else so it's very helpful to read your impressions.
I guess Alan Shaw himself would be happy to hear that all his efforts result in 'an almost peerless' rendition of the the human voice.
This has always been the key priority for Harbeth, no doubt stemming from it's BBC legacy where it's major emphasis on the clarity of speech.

