Why not horns?

Mrdecibel,

Every hi-fi system will have that one track where it shines, it's when confronted with differing music types, is where most fails.

I love my non-horns ..........

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06-18-10: Mrdecibel
A cd recording from 1984 on the Denon/Nippon Columbia Japan label : Eddie Gomez : 38C38-7189 - 9 tracks - A recording , inho, where many systems fail.....it is jazz and has it all.....I love my horns !

06-18-10: Mrdecibel said " I truly believe many of you horn haters have not heard a "proper" horn set up" ...

This might be true Mr decibel , heard my first on in 1973 my last one last week , so in 37 yrs nothing , not one good horn setup .. from the home made ones , to others costing tens of thousand ... nothing Hmmm and it's not hate mr D, it's just not my cup of tea objectively or subjectively...

I do believe you non-horn haters have never heard a "proper"
speaker setup ... a shame !

LOL..

Atmashere ,

You leave out one critical part of your thesis, planers radiate sound from both sides , this ability helps to create the required space and time of a recording far more accurately than any monopole transducer.

Horns will always sound like hi-fi, never real , they project sound in a manner where all instruments and voices have the same projection and size. The best you can say is that they sound just like an amplified concert 40 ft away. Unfortunately we listen to recordings of live music and not live music itself , as such Horns do not convey this as accurately IMO.

A good planer setup will do everything for power as a good horn setup will and sound more like real instruments to boot.

Anyone who says a good planer sounds like a horn or vis a vie has never heard a good planer setup ...

Regards,

World's greatest catch-all argument for your favorite thing.....whatever it may be.
"You just haven't heard one properly set up!"

Ah!! But of course!! How unlucky for the rest of the world that there are so FEW amazing systems out there. Please tell me, where do I go to buy one this instant and who can I get to "properly" set it up?!

Indeed, for this particular thread, Weseixas makes THE most compelling argument. Though you could almost miss it. If your live reference (assuming you have "live" as a reference) is amplified music then it's no wonder horns are so appealing. And, sadly, these day's that's pretty much everything. Kinda hard to find live amplified music that doesn't have multiple horns in it.

I am responding to a few of you. My system sounds wonderful on all music. I compare what I hear to live unamplified music, as stated previously. I particularly mentioned this recording because many systems I have listened to (I bring this with me) fall apart in one or more ways. I will tell you I have heard horns and horn based systems I did not like. I have heard planar and box type speakers I have liked. I have owned many of these types. I have not said I love horns. I have said I love "my" horns. The Klipsch Lascala. The fact that they found their way very quickly into peoples homes for music listening is what got me interested in them many years ago. My 1st Klipsch Heritage speaker experience(a long long time ago) was Khorns with Marantz 9s/7C in a room properly dimensioned. Sources at the time were vinyl and 15ips master tapes. Loved the musicality and the voicing. The full range bass horn was more melodic than anything I had heard before( in a 20x26 ) room. It is an experience I will not forget. My box speakers(B&WDM6,AR3A as examples) sounded constricted and ill defined. My DQ10s imaged better than the Khorns, but everything else seemed lifeless. These Khorns were owned by a college professor of mine, and we spent a lot of time swapping equipment around at his place. I never had good corners for Khorns. As an audiophile, I have to say I did not like any speaker in or near a corner. Then Paul Klipsch designed, at least for me, his best design. So I am saying again, I love MY horns. I will be happy to continue any further discussion or debate but I must go... cheers.