Do you listen to equipment or music.

I got carried away.... All I can say.                      
What makes it easy to 'adjust resistors' is I am crazy about clarity. Most of the upgrades go to more clarity. The downside of many clarity creating things is in addition to getting the clarity, one loses some midrange, going lean sounding. So I am always on the edge of the system sounding lean. With that problem, the things that take it out of lean to neutral, maybe even a tiny bit rich, are easy to hear! (when they work) In particular, the midrange resistors for the Magnepan speakers are NOT to lower the sound level. they make the midrange richer. more mid bass, more mids, less lower treble, the resistors change the midrange tone. So it is actually easy to hear the difference between (having narrowed the range from 0.5 to 2.0 with cheap resistors) to using Duelund CAST in pairs to get 0.95 ohms. 1.0 ohms. 1.1 ohms. and what is in the speaker now, 1.05 ohms (pairing  2.0 ohm with a 2.2 ohm) I am pretty sure the best is either 1.0 or 1.05 ohm as of now. The increments of 0.05 ohm are pretty easy to hear IN THIS SITUATION. So I do not claim golden ears...Just sayin'.            
Also... One way to break 'listening to the sound'.. is to listen to poor recordings.  Like right now I am listening to Miles Davis Birdland 1951. The sound is bad.. LOL but great music! So worth listening to. certainly NOT for the sound quality. Certainly one needs to like the music, but good music with not so good sonics is one way to break the habit, even if temporarily, of listening to the sound.

Music, but if there's something glaringly wrong with your equipment, you'll be unable to enjoy the music. For instance, if your system is fatiguing, as often happens with solid state amps or mediocre DACs, you'll find yourself either not listening often, or swapping components in and out until you find a configuration you can live with.

johnspain, what you're doing, listening to the same track over and over, while ubiquitous and I'm sure will be staunchly defended is nevertheless one of the worst habits you can get into. I know I'm in the minority, but who cares when you got Mikey Fremer in your corner? Yeah. Michael Fremer. 

Not that I don't ever play the same thing twice. Playing one cut last night it hit me that its been a while since I demagnetized and so I stopped, demagnetized, and started over. Huge improvement, of course. But I didn't do it for that specific reason. To compare. I did it because I want to hear the whole song beginning to end. I never, ever in my life would subject myself to the torture- the ineffective, short-sighted, stifling, sucking the life out of the experience monotony of playing the same track over and over and over again. Pretty sure I dropped 10 IQ points and forgot two sound critique terms just thinking about it.

Where was I? (See what I mean?) Oh yeah: audiophilia nervosa. This is the term you all are looking for and its a real thing. Building a long term musically satisfying system calls for mastery of some pretty technical listening skills. Then on top of that there's a whole lot of applied physics and acoustics. Then as if that wasn't complicated enough there's all these shysters clamoring to convince you their morphic field polished rocks yada yada blah blah blah. When at the end of the day what we really want, supposedly our reason for doing all this, is to get the toe tapping. Real easy to lose track of that. To find yourself so caught up in dissecting technical details you lose the ability to just sit and relax and let the music move you. Of all the pitfalls, and there are a lot of them, this may be the worst. 

That being the case, surely whatever you can do to lessen the likelihood of this awful outcome you should do. One of them is to stop playing the same old same old over and over again. Play music you love. Play it because you love it. Because you want to enjoy hearing it. Never play it just to prove a point.

That's what I do. The way I figure it, its nice to know the rose is made of molecules, but zooming in to that level ain't never gonna tell you zip about how beautiful it is. Step back. Relax. Take it all in.

Don't waste any more time than you have to listening to equipment. Listen to music. The more what you hear feels like music, the better the equipment. Period.

My equipment allows me to listen to more than the music. I’m listening to the microphones used, the room, the mix, the eq, the cutting of the disk, the pressing. When it all comes together it’s audio nirvana. I’m at the point where I’d rather hear a superb recording of a bad polka band than a horrible recording of the Beatles. 

Hey all... just getting back into the music thing after 25 year hiatus. I am in the process of building a vintage Marantz system.  After reinstalling my "out of storage" mid 2000's system and hooking it to something call "You tube" on this thing called the "Internet" I have discovered all kinds of cool stuff.  But to the point of the string.  My goal is to have one room dedicated to a complete system with one chair in the middle of the room and it came to me.... It will never be right.  If I am play Kampert, or Styxs, or Polka or this LP chick I found on "da Puter", it will all sound different and it will never be adjusted correctly, or am I wrong. On a side note, look up LP and her song "lost on you"... wow.... oh... also "the HU band" out of Mongolia with their song Yuve Yuve Yu... really cool stuff.