Dear Fellow SC IVA owners


Dear SC IVA owners. I recently made some improvements to my SC IVAs that were transforming when all were added up together. I thought I'd share these and hope others contribute to what improvements they have made. 1. Added Sunfire IV subwoofers set at the lowest crossover point and very very low volume. This improved midrange noticeably by opening it up while the bass went a bit deeper. Spread speakers out from each other nearer sides of room so at least 2.5 feet farther from each other with major improvement in detail and clarity. Added symposium ultra platforms under each speaker with Walker points under the platforms. Major improvement again. All of these transformed my sound from very good but slightly cloudy to very clear with even deeper and tighter bass, a scary musicality rare in any component and a top to bottom coherence that this speaker is known for. I hope someone else has had similar success and perhaps some other new tips. All of these improvements except the subwoofers came from suggestions from other Audiogon members.
jonathanhorwich
I'd like to clean up a few points here before the end of the year. ;-)

Yes, I was wrong to call Dunlavy designs D'Appolito arrays. I do know John Dunlavy liked symmetrical driver arrays because they simulated a point source speaker when matching mid and woofer pairs equal distance (respectively) from the tweeter. I believe all of John's designs had first order crossovers to maintain time and phase coherency. Whatever D'Appolito uses or did use, it apparently was not first order.

Rrog called me out saying SC IV measurements were at 10 feet, not 3 meters. Well, I was referring to the Princess which had factory measured responses made at 3.5 meters, thus my suggestion for 10-11 feet listening distances. And as I think we agree, each room will be different so there is NO specific formula. Trial and error is necessary unless you are extremely lucky.

The third point is my agreement with Rrog in not understanding how adding a subwoofer will help the midrange when the main speakers and amp(s) are not being rolled off. My introduction to good subwoofers came from a dealer who demoed a sub set up by playing s solo violin recording! When the approximately lowest two octaves (20-80 Hz) are removed from the signal going to the main amp and speakers, their job becomes easier and improvements in upper bass and midrange can be realized, in addition to potential extended bass response. Now I cannot say that Jonathan did not hear improvements extending into the midrange (I was not there), but I will suggest he will hear a greater improvement if he reconfigures his system to roll off his SC IVAs and main amp within the range of 50-100 Hz. The best point must be determined in his system.

Lastly, Dunlavy utilized stepped baffle designs, in addition to wool felt, in his Duntech speakers. As I recall the DAL speakers have a flat front baffle but still utilize the wool felt and crossovers to assist the time and phase alignments. Yes John was among the relatively small group of truly great speaker designers.
Hi Pryso, the wool was strictly diffraction control. I agree with you on the subwoofer points also.
Pryso, the Dunlavy's also have stepped baffles, in order to maintain proper time alignment.
Thanks Unsound. There is enough mis-information on the internet without my adding to it. ;-)

Probably what I was thinking of, the Duntech baffle step backs are open on the sides to help dispersion. My recollection is the DAL speaker's sides are not.
Pryso, you are thinking right. A very basic description would be, Stepped baffle is putting the tweeter behind the same plane of the woofer to align voice coils. (kinda like a stairstep) That is why I called it voice coil alignment in my earlier post, that is stepped baffle. You are actually putting the voice coils in alignment. The idea is that the sound radiates from the same point for correct time alignment of the signal to your ears. The dispersion from the drivers then bounces off the frame of the drivers. The wool felt absorbs part of this to keep the reflections from warping the frequency (defraction). You can also align the signals electronically, this is called stepped baffle compensation for time alignment.
I hope this helps, Tim