What does one purchase after owning horns?

One of the best musical experiences of a non horn system was a pair of MBL 101s in a room that was, admittedly, too small for them(I spent many hours, on different days, listening, as they were owned by a close friend). The sound was incredible and very involving. I could easily live with these. Yes, I said it. Connected to them was a top end tube preamp and a powerful, top end ss amp. Because I value so many traits that horns possess, it is hard for me to ultimately feel satisfied with many a speaker. I can appreciate time coherence and spatial imaging of many of these high end systems, but if the sound cannot convey that "musician magic", if you will, it does not keep my interest. But, again I say it, to each his own, and let's all live happily ever after. P.S. : "Musician magic" is my wording, of the ability to follow, and feel, each musician in a recording.

Not chased, just waiting for the zealots to inhale.
http://www.merriam-webster.com/dictionary/zealots
The issue of dynamic compression seems to be academic, after all we've had decades of practical use, and minuscule amount of reported failure. Even the author of the provided link suggests what ever deficiencies might exist, might not be audible.
Perhaps Mrdecibel should consider just who should get over whom.
Attempts to use gang bullying, and suggestions of psychological shortcomings of those who don't agree, are pathetic attempts to negate opposing points of view.
One could easily return the question of; where is the science to prove that horns don't get in their own way in such a manner to compromise coherence?
I'm quite done with all of this, but I leave of my own accord, not because I've been chased away, and I reserve the right to return, should I feel the want.
BTW, I still stand by my first post on this thread; the VMPS's might be worth a consideration.

mbl is certainly one design that can raise the bar in many regards but differently as might good horns and other more esoteric designs.

I am of the opinion that there is only so much that can be achieved with conventional dynamic box designs, though good ones can certainly still be most enjoyable. More unconventional approaches must be taken to raise the bar further in particular aspects of sound. Horns are one approach that can in terms of dynamics. mbl is another. Walsh drivers like those in the reasonably affordable and compact OHM Walsh speakers I am partial to are another.

I will not even try to respond to Unsound, but applaud his exit.

For giggles, I just read Unsound's 2nd post. Are you kidding ? Begging for a rebuttal ? The OP wants something else ? Other designs are capable of the same dynamics ? I will leave it at that !