mbl 101e vs 116f vs 111f

If you have FORTY LARGE to spend on speakers and have to ask 'why' one over the other... ??
Well, the 101e is REALLY COOL!!!! The cool factor of the 101e is gigantic. And forget the MAC gear if you use the 101e.
Try some BIG Pass amps if you do not want the MBL amps. Or Bryston 28B-SST2 pair.
Whatever amps, you should get an Audio Research 40th anniversary preamp. It will always have super panache.
Limited Edition cool.
(If I won the lotto, these are what I would be buying... The MBL 101e, the Bryston 28B-SST2 and the ARC 40th annv preamp.
I am drooling now....

"The MBL 101e, the Bryston 28B-SST2 and the ARC 40th annv preamp."

Yes, that would be I very drool worthy combo I suspect!

Don't forget the big room with 10' or more of space behind the mbl's required in order toreally appreciate what they can do in terms of big, deep, holographic soundstage!

That goes for 101s and 111s.

101s take bass and dynamics to a higher level as I understand it (assuming sufficient amplification to achieve) using the proprietary mbl bass drivers in that model, though the 111s for example are no slouches eitehr in this department.

Without a big room like that, you might get by just as well with the smaller, cheaper models.

Not sure I would even want larger mbls without the ability to have lots of space behind them to do their thing. They come back to the pack more when put in a more standard or typical room in a more standard or typical nearer to rear wall configuration.

The larger SS Mac amps might do OK with mbl (better than all but perhaps the most elite systems out there), but I would not assume they would max out the bigger mbls until I hard them in comparison to teh comparable mbl amplification.

The big BRyston would do quite well I suspect!

Yes, unless time and money is just not a concern ever, I'd recommend you make sure you know exactly what you are getting into and are going to do before dropping big bucks on larger MBL speakers, including used ones.

all three speakers share the identical tweeter/supertweeter radiater unit on the top...the 101'e has the 'football' radial unit in the middle; above the woofer units...the 111 and the 116 have traditional speakers; side firing for midbase..the 116 has a single port on the bottom; and has less base and low frequency response...the new 'f' series has new crossovers and cosmetic design from the earlier 'e' version; and is supposed to play better at lower listening levels.
The earlier posts are all correct in their responses on the need for high quality; high current amplication...I have my 111'e about 6' out from rear wall; and am happy with the sound..which tends to be a bit 'dark', or cool, not a warm, syrupy sound..but great sound stage and transients...hope that helps answer your questions...

I've only heard the earlier versions of both speakers, but I did have the chance to A-B those speakers pretty extensively and on more than one occassion. (I was considering a purchase a few years back, until I realized that a divorce costs even more than 101s.)

My take is that the 101 is a very different animal than it's its less insanely priced brethren. The football/pumpkin Mribib mentions made - to my ear - the 101s much more striking in the "omni-ness" of the presentation, as well as more impressively weighty and seamless in their presentation. OTOH, deep bass was always elevated on the 101s and less natural that the smaller guys. My net take: the 101 is a much more dramatic sounding speaker.

Some could argue that that is too much of a good thing. I happen to love the 101

I had heard the 111F in RMAF in 2009 and was so impressed with its sound from normal CDs like Bill Joel's Stranger they were playing, I had to return three times. Then few months later, I visited MBL room at the CES with 101E MkIIs playing, and it was nothing special... I had to attribute the less than ideal sound to the room. However, if I were to pull the trigger on a pair of MBLs, I'll have to believe the 101E MkIIs are better properly setup in an good room and will be my choice.

The other memorable room was Nordost cable room with their Raidho Ayra C1.0s at the '09 RMAF and same set up at the '10 CES with equally impressive sound stage and one of the best imaging 2 CH trick I had ever heard...