Finally I got to hear Q3. However, the speakers only arrived at the dealer 2 days ago and not even closed to burn in yet but it sounds very promising. Like Q5, it made just about all other cone speakers sound boxy in comparison. Excellent detail and I could hear separation of each instruments much clearer. The improvement over V3 is quite significant. My dealer is now worried that it may be more difficult to sell the remaining stocks of his V3 because the difference is price and performance seems to favor Q3 quite a bit. I should have Q3 in my living room in the next week or so after they are burned in more.
Magico Q3's at Goodwin's High End
Just a quick note to say that Goodwin's High End (in Boston) along with Alon Wolf presented a demonstration of the Magico Q3's yesterday.
As usual, it was a class act by Goodwin's and a real treat overall. Mr. Wolf fielded a number of questions about the speakers (and Magico's approach to design) and his detailed responses were fascinating.
The Q3's sounded spectacular. They were setup in Goodwin's huge listening room (20x30x11) and they were positioned quite wide apart and deep into the room (almost halfway). I was transported to the symphony hall with a few tracks - like nothing I've ever experienced before. They were driven with very expensive electronics, inluding huge Boulder amps that were 1000w each (if I'm not mistaken) to compensate for the size of the room.
The Q3 is a modest size floorstanding loudspeaker, but it weighs 250lbs! Like the Q5 (if you've ever heard it) it is very clean and neutral sounding. Definitely a speaker that lets you listen into the music rather than wow you with a forward presentation. Besides classical, we heard some jazz, some instrumental and a cut from Jennifer Warnes Famous Blue Raincoat that was stunning. These speakers don't call any attention to themselves. They were so coherent and produced such an impressive soundstage that it didn't feel like they were the source of the sound. Jennifer's voice had no artifacts (sibilence, etc) that it was like she was standing there. I feel I finally heard how the record was supposed to sound.
Anyways, I'm not trying to do a proper review here, but I did want to thank Goodwins and Magico for the opportunity and I thought I would share my initial impresssions.
Would love to know what other folks at the presentation(s) thought.
As usual, it was a class act by Goodwin's and a real treat overall. Mr. Wolf fielded a number of questions about the speakers (and Magico's approach to design) and his detailed responses were fascinating.
The Q3's sounded spectacular. They were setup in Goodwin's huge listening room (20x30x11) and they were positioned quite wide apart and deep into the room (almost halfway). I was transported to the symphony hall with a few tracks - like nothing I've ever experienced before. They were driven with very expensive electronics, inluding huge Boulder amps that were 1000w each (if I'm not mistaken) to compensate for the size of the room.
The Q3 is a modest size floorstanding loudspeaker, but it weighs 250lbs! Like the Q5 (if you've ever heard it) it is very clean and neutral sounding. Definitely a speaker that lets you listen into the music rather than wow you with a forward presentation. Besides classical, we heard some jazz, some instrumental and a cut from Jennifer Warnes Famous Blue Raincoat that was stunning. These speakers don't call any attention to themselves. They were so coherent and produced such an impressive soundstage that it didn't feel like they were the source of the sound. Jennifer's voice had no artifacts (sibilence, etc) that it was like she was standing there. I feel I finally heard how the record was supposed to sound.
Anyways, I'm not trying to do a proper review here, but I did want to thank Goodwins and Magico for the opportunity and I thought I would share my initial impresssions.
Would love to know what other folks at the presentation(s) thought.
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- 99 posts total
- 99 posts total