It could be our ideas of coloration differ. Hues can be used to aid in tone. Gradations can enhance. Just how much is needed, or wanted, is in the ear of the designer. My take on coloration is of a slight application. Taking into consideration that speakers make the most distortion of any audio component in the chain (sometimes up to and beyond 10%), then coloration seems as reasonable as any approach in speaker design, along with cabinet construction, crossover design, choice of driver, etc.
Thin Walled Speakers -Tonian, Musical Affairs, etc
Hello,
It seems that a few speaker makers are using the thin walled, lightweight, less damping approach to building. For example Tonian, Musical Affairs and some others.
http://tonianlabs.com/
http://musicalaffairs.com/
http://vimeo.com/28295029
And I've read some very positive reviews of such speakers. I can see how they would sound unreal with vocals, acoustic instruments etc. But how do they sound with other more spectrally complex music- lets say rock. Do they turn to sonic mud?
I'd be curious to hear feedback from anyone who actually owns or has heard such speakers.
Thanks
It seems that a few speaker makers are using the thin walled, lightweight, less damping approach to building. For example Tonian, Musical Affairs and some others.
http://tonianlabs.com/
http://musicalaffairs.com/
http://vimeo.com/28295029
And I've read some very positive reviews of such speakers. I can see how they would sound unreal with vocals, acoustic instruments etc. But how do they sound with other more spectrally complex music- lets say rock. Do they turn to sonic mud?
I'd be curious to hear feedback from anyone who actually owns or has heard such speakers.
Thanks
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- 26 posts total
- 26 posts total

