Your experience:a cdp that gets best of lesser cds

Well, I have yet to meet anyone that I feel is qualified to decide what the World's Absolute Audio Reference (WAAR) should be. Who is to say what is right and what is wrong? I believe we have yet to find a system, whether recording or reproducing, that recreates exactly what we would hear in a live performance - so there is no standard - and thus no room for absolute judgement.

In addition, hifi is no different than any other complex system: there are infinite combinations, if not in design, then in execution or reaction. Why aren't snowflakes identical to each other? Because there is no right way. There are simply too many variables. To me, a stereo is like a person: it has its own character, attitude, likes and dislikes. You jive with some people and not others - just like some stereo components jive with each other and others don't. Throw both humans and systems together and you get an even more complex result with no hope for an absolute answer. I like to say that if something seems simple to you, then you haven't looked at it hard enough. Our universe is filled with many other examples of this chaotic state but I will digress here.

Foster - I know where you are coming from. Synergy is definately the key and, based on the phrasing of your question, I feel that you are experienced enough to determine when you have it or not. On to my suggestions: You may want to try an Audio Aero Capitole. Not sure if you like the top loading design but it sounds supremely natural to my ears, with fantastic timbre and space. It will make beautiful music rather than beautiful sounds.

Otherwise, the new Naim cd players are stellar and would also lean the direction you seek. They have a very nice treble that never accentuates the deficiencies of poor recordings. The CD5x is my personal favorite after hearing it in a couple different systems and falls right in your price range.

I have an EQ in my McIntosh preamp that serves me perfectly when I am faced with recording qualities I don't approve of. It doesn't take but one dB here or there to make it all much more enjoyable. But then again, I also have two cd players with each different characters that are each suited to their own type of music. See my system page for more info. It is all about specialization - just like any other technical field.

Anyway, there are many good choices out there. Best thing is to "buy and try" to see what works for you. It takes effort and hassle but in the end, it is the only method that covers all the variables relative to you. Good luck in your search.

Arthur

Arthur makes some good suggestions for various ways to color the sound of your bad recordings...and I have absolutely no issue with doing so. However, before you vote the Modwright off the island, you owe it to yourself to experiment with a couple tube alternatives. You will be pleasantly surprised. Even a $20 pair of Sylvania WA5687 would make a nice change toward a warmer sound that what the Tung Sol tubes provide. The change will not be subtle.

Also, the new tube rectified power supply for the Modwright makes a significant improvement to the naturalness of the music.

Start with some tubes, unless you are hurtling toward an inevitable CD payer change (which I sense you are).

It's true that only buying and trying, and listening to the possibilities will reveal which is best for you.

I currently have some Raytheon 5687's that I'm using now with the Modwright. I've tried the stock Tung Sol's replaced them with the Raytheons then GE 7044's, then tried a second set of Tung Sol's given to me by Dan then back to the Raytheons's so I have tube rolled. Tvad, I also have the tube rectified power supply. You can't tell me that the synergy present between the front end and the rest of your system isn't going to affect the end product (sound) with all of your cd's, the well recorded and the poorly recorded. I'm looking for a player that will lend itself to my system and improve my collection, the poorly recorded and better recorded cd's. Some of you seem to be saying that this is not possible- but you're not taking into account the overall affects of synergy or the lack of it. IMHO a front end that synergizes better with the rest of your system will improve every aspect of your system's performance. So I feel there may be a player that can provide improved performance if it of all my cd's if works better with my system. (thanks for getting it Aball)

03-13-07: Foster_9
I've tried the stock Tung Sol's replaced them with the Raytheons then GE 7044's, then tried a second set of Tung Sol's given to me by Dan then back to the Raytheons's so I have tube rolled.

The Sylvanias I recommend are significantly different than those that you have tried. But, please do some more research into the Modwright players and preamps, and you'll comments here and on AudioCircle from several users who have installed Sylvania GB-5687. Two local audiophile buddies who have systems vastly different from mine both use Sylvania 5687 tubes in their Modwright Sony 999ES Signature Platinum players. One likes the Sylvania GB-5687 and the other likes the Sylvania WA5687. For $20/pair, you have very little to invest to try the WA5687.

You can't tell me that the synergy present between the front end and the rest of your system isn't going to affect the end product (sound) with all of your cd's, the well recorded and the poorly recorded.

True. However, what comes from the source component is the most critical. What's missing from the source will always be missing. Even the Modwright has information either missing or colored differently from other digital sources I have owned. It's a matter of preference.

Overall, I think the synergy thing is a matter of trial and error, and some luck. Unless you happen to find another audiophile with precisely the same electronics, speakers, wire, AC and room, you will not be able to assume their recommendation will translate to your system. That's a point well made by Arthur, and I agree with him completely. It's one reason I am recommending starting will a smaller expenditure since you already own a world class digital source, and one that fits into many systems regardless of their varying components and speaker systems.

It takes a strong working knowledge of voltage, gain and impedance matching to put together a "synergistic" system. Many of us don't have the working knowledge to do this properly, and that's where the trial and error enters the picture. If along the way we come across someone who knows this stuff in and out, like Alex Peychev did when I owned my APL Denon 3910 (and as Dan Wright does), then their help can be immeasurable in solving problems. Perhaps if you contacted Dan Wright, he might have a suggestion about adjusting the output voltage of your Modwright to better match your system.

Finally, if your Reimer loudspeakers are anything like the excellent Grand Tetons I heard, they are very revealing in the upper mids and highs, and will not help to ameliorate what you find objectionable in any of your poorly recorded CDs (or vinyl LPs, or computer music files). There are speakers that can be revealing and true to well recorded material while also being a little forgiving to bad recordings. You may not be able to hear the tympanist scratch behind his ear, though.

Best of luck on your quest.

Tvad, no doubt I will try the Sylanias and thanks for the encouragement on the 999ES. I really don't want to have to replace it. I'd be very happy for it to be my last player. I'm very tired of burning, churning, and losing money.