Why Don't More People Love Audio?

Although basically I would agree with you, that since the beginning of the eighties, the advances in the high end have mainly been prices and advertising skill, I would say that in dissolving such finer points as the various rythms inherent in the musical web and the widening of the dynamic scale, especially down in the ppp region have been considerable. Also the ability of creating a reasonable facsimile of the soundspace has improved . Especially the ability to better recreate the intricacies of the rythm element is an important factor to make a system seem more musical and closer to the truth. This ability has also begun to seep through to mid priced gear. So, though your point is partially valid, in defecting you are missing quite a bit in my opinion.
It will still take quite a time, if at all, until we turn out the light. I guess, you have gone to bed a bit too early. (-:, Regards,

I don't think the emphasis is so much on people being lazy or ignorant as it is on people not "caring" about better sound - it's (inexplicably to some of us) unimportant to them. This isn't the result of rapidly increasing laziness on the part of the population but, IMO, the combination of a rapidly increasing amount of stimuli in the world (which certainly has occurred over the past few decades) coupled with technological advancements that do put pretty good sound at such an affordable level that many don't think twice about ever spending more, and the stuff rarely breaks.

Trying to advance the sound quality of a system takes both time and money (basically synonymous for any adult), and there's only so much to go around and, as stated earlier, rapidly increasing amounts of things vying for both time and money. Depending on how one defines "high-end", it's somewhere between difficult and impossible to get most people to even fathom the concepts as important, much less act on them. Of all the people I know, there is only one who doesn't scratch their head if you talk about spending more than a few hundred bucks on any component. If somebody asked me for advice in purchasing a system, I'd be doing well to get them to appreciate what you can get for, say, $2K and, if they bought it, they'd probably think they'd blown their lifetime wad for equipment and, since it would never break, they'd never look to improve it. It would also sound markedly better than anything they'd ever owned before, better than anything they ever hear at a friends house, and there'll be a million other things banging at their door for their money and time.

I don't know how many people have to be "converted" to restore the high-end to "healthy", but I don't see it happening with what appears to currently be defined as high-end.

Kthomas, following on yr thread, audio is not (yet) a lifestyle option. HT sometimes is, and people get together to enjoy an evening before the screen. How many times do people invite others to an evening of music -- as an accepted, discussed and "conventionalised" past-time. By way of comparison, people purchase Ferraris; some owners cannot, or are not allowed to drive these autos to optimum speeds. But they still buy them. IMHO, that's a market. Audio is, at best, a cottage niche.
Unfortunately, this also means that gear is expensive (i.e., manufacturers' purchasing power???); can U imagine prices for large-scale production hi end gear manufactured by the likes of Siemens... No offence to Cos but, how can our "biggies" (say, Krell even Linn, a $~20 mil. company) compete with that: we have to pay for the R&D.
Regards

Home theatre better matches the "zeitgeist" of the times than high end audio. Previous posters have hit on a lot of the factors defining the current situation, let me put it a different way. For a number of years, going back at least to the mid-90's, society has been in a highly experiential phase. It has even been called the "Experience Economy" in business circles.

With this mindset, everything has to be "extreme" to even get noticed. Realtiy isn't good enough, it needs to be pumped up. From sports to movies to recreational activities it has to be more exagerated, more impactful and more staged than ever before just to get to leave an impression. You can't watch TV w/o loud intrusive sound effects inserted for no reason (You Are the Weakest Link or the NFL on Fox for example). Exagerated visual effects in movies have replaced plot lines and artistic cinematography. Even martial arts films (the original extreme genre) has had trouble being extreme enough. Now you have to fly as you beat the crap out of your opponent, or lacking flight capabilities, just add more blood. Best Picture, Gladiator & Titanic, you see where I'm going with this.

In the music world, you can't have a rock band with just four or five musicians anymore- now they need to be fronted by 8 choreographed dancers putting on a stage show that sometimes also claim to be the "singers." These muscial "acts" have replaced bands. In this environment, nobody even notices Jerry Springer anymore. You could call it the WWF'ing of America. Looked at cynically, you could say it's technology playing to the lowest common denominator across a wide range of activities. Another view might be we've been on a bit of a technology bender with lower prices bringing these gooodies into the realm of the average man.

In this period of exageration the home theatre "experience" with it's countless channels and audio processing and manipulation is giving people more of what they want. They don't want reality- the holy grail that has been fueling the audiophile quest for the last 40 years, they want to be dazzled with an enhanced, or pumped up version of reality. And they can be dazzled for a farily small amount of money (for those that aren't too discerning) or they can invest $50K in a home theatre for those that need to brag "mine is bigger than yours."

What is missing from all this is the appreciation ofthe art of music and the purity of it's reproduction that we audiophiles value. While critically listening to music is certainly experiential, it seems an almost quaint activity in a world that wants to be blown away by sensory overload.

No my friends, we are not living in a era that values or even understands subtlety or nuance of the type that makes art and it's reproduction an audiophile's passion. And until the pendulum starts swinging back the other way, don't be surprised if the totally awesome, extreme and radical audio video experience keeps the purist relegated to second class status.

Dude, did you hear that someone's comin' out with a 20 foot big screen with 10 channel make you puke and your ears bleed fully surround sound gut rumbling digisynthesizerprocessor? Awesome......

Wow Wehamilton, excellent! I wished, I would have been able to write that post. We are a bit behind here in continental Europe, but its coming fast and some high end stores are beginning to fold, others begin to diversify into HT. So your sociological analysis holds true also for us. We are not quite so far yet and analog\vinyl still thrives amongst the cognoscienti and in my generation, specialist stores, with above average vinyl setup service can still make a fairly good living. Unfortunatedly we are not so far as yet, where excellent high end stuff is thrown on the used market, because people want the raucus of HT. But it will come and be a feast for us, the old guard, like it was in those days, when digital started off in the market and people were getting rid of their LP's. Gosh what a feast that was!
So there are two sides to everything!