Hi Aldavis,
No offense taken. I understand your point. In my experience once all those things are dealt with and the rest of the system is fine tuned and working at its best, all you have left is the source. Rubbish in rubbish out.
What I mean by imaging is the ability for the player to resolve the information on the disk that make it possible for the rest of the system to carry it into your room. This is very sensitive information and is easily lost or disturbed. Spacial coherence layering, timing, depth, width etc. Once exposed it is impossible to go back, especially on "real" recordings as opposed to processed ones. The lack of artifacts produced by the player itself enables what was once hidden to be clearly heard if the rest of the gear is up to it.
Hi Lula,
I remember the krell quite well. Around that time I had the ML 31.5/30.6 reference player. There is something about that generation of chips and clocks and components. There is a burliness to the sound. Grain, fat bass, slight haze and vague imaging by comparison to what is available now at that level. The disk is not presented as a whole. You know what I mean? Like there is a spot light on a particular area.
Even though the tweaks you speak of will help, it can never replace the already lost information. It is like shutting the gate after the horse has bolted. I am not saying those older players cant sound good for some types of music, its just more about refinement (and what you are used to). I could never go back to my old ML now as good as it was. I did have some fantastic listening sessions with it at the time!
Dont be fooled by all that audiophile BS that was around in the 80s and 90s. That technology is not getting worse its implementation is only better and cheaper on the whole. Digital has come of age recently IMHO.
No offense taken. I understand your point. In my experience once all those things are dealt with and the rest of the system is fine tuned and working at its best, all you have left is the source. Rubbish in rubbish out.
What I mean by imaging is the ability for the player to resolve the information on the disk that make it possible for the rest of the system to carry it into your room. This is very sensitive information and is easily lost or disturbed. Spacial coherence layering, timing, depth, width etc. Once exposed it is impossible to go back, especially on "real" recordings as opposed to processed ones. The lack of artifacts produced by the player itself enables what was once hidden to be clearly heard if the rest of the gear is up to it.
Hi Lula,
I remember the krell quite well. Around that time I had the ML 31.5/30.6 reference player. There is something about that generation of chips and clocks and components. There is a burliness to the sound. Grain, fat bass, slight haze and vague imaging by comparison to what is available now at that level. The disk is not presented as a whole. You know what I mean? Like there is a spot light on a particular area.
Even though the tweaks you speak of will help, it can never replace the already lost information. It is like shutting the gate after the horse has bolted. I am not saying those older players cant sound good for some types of music, its just more about refinement (and what you are used to). I could never go back to my old ML now as good as it was. I did have some fantastic listening sessions with it at the time!
Dont be fooled by all that audiophile BS that was around in the 80s and 90s. That technology is not getting worse its implementation is only better and cheaper on the whole. Digital has come of age recently IMHO.