has anyone tried PS Audio perfect wave duo

I think it has some smart out of the box design features that should lead to good sound.

Nothing you can't get elsewhere for lower cost I think but those routes currently will probably generally require more effort and knowledge on the part of the user to get right.

Also I am not fond of products that require bridges in general, unless absolutely essential. This is usually an indicator that proprietary approaches are being used that may produce very good results but limit options in terms of integrating with other vendors products. That usually end up meaning you pay more for what you get from that particular vendor.

The combination is truly excellent to a degree that all of the aforementioned devices/DACs pale by comparison (yes, I have heard the aforementioned servers and Dacs - PS Audio-DLIII, Benchmark - DAC 1/pre, Cambridge-DAC Magic, ARC-CD7, Wadia devices, SB3/Duet/Transporter, etc.). I do not have any experience with the acknowledged digital leaders (i.e.: MBL, dSC, and other five-figure devices), but I can verify that the Perfect Wave combination indeed takes digital to a new level.

Wpines - the PWD will allow full server capabilities once the Bridge device is released later this year. Most high-end transports these days are designed for single disc operation. The key to the Perfect Wave Transport is the built-in Digital Lens, along with the true I2S interface. Combined, these two technologies allow, among other things, exceptional jitter control (i.e.: reduction). The PWT also supports up to 24/192 native. The forthcoming Bridge will also feature a "built-in" Digital Lens and I2S interface. The big deal is, it is a true high-end solution to music servers (which is the only way to go for digital, because HD SR files absolutely convey more information than the limited (and “old”) Redbook format (16/44). Finally, digital is becoming a nice alternative to analog.

I don't get it.... This unit has a one disc memory and plays the disc from memory, not directly from the disc.
In effect, this is a one disc music server.
Am I missing something or is this just the ultimate in audiophile marketing hype?

I don't think you are missing anything. Any lo-fi cd player, and I believe any $20 computer cd-rom drive, not to mention any audiophile-caliber digital transport, has a solid state buffer memory (aka cache) through which the data coming off the disk is passed, before being clocked out at a fixed rate which is not subject to the (very large) variations in the rate at which data is retrieved from the disk.

The only relevant difference that I can glean from PS Audio's literature is that their memory is 64mB, which is much larger than typical. But I fail to see how the larger memory size would convey any benefit, assuming that the disk-reading mechanisms are performing in a half-way reasonable manner. The 64mB, by the way, is nowhere near large enough to cache an entire disk (which may be up to 700mB or so). PS Audio's writeup describes it as being able to store "up to 3 minutes of music," which is in the right ballpark.

I have no doubt that it is a very well engineered and good performing player, but its descriptive literature is misleading and disappointing at best.

Regards,
-- Al

Almarg,

The larger cache may be needed to handle the higher res formats that this device is advertised to handle.

I think that would be the main purpose.

I can see this as an effective though pricey out of the box solution for those seeking the bleeding edge of current digital formats.

Personally I will stick to the music server approach but I can understand if many are not comfortable mixing computers with their audio on their own.

Hi Mapman -- My main point was that it is misleading to claim that other transports output data directly from the optical read mechanism, and that other transports are therefore subject to the timing variations which inevitably occur as data is read from the disk which is spinning at a varying, motor-controlled rate.

But re the larger cache, all that is necessary is to have a cache which is large enough to not become emptied under conditions of worst case variation of the rate at which data is read from the disk. A few seconds worth of cache should be way more than enough to accomplish that for any audio format, for any reasonably well performing read mechanism.

Best regards,
-- Al