CD vs. Vinyl


I've personally had to opportunity to listen to identical music on vinyl and CD on an extremely high end system, possibly a seven figure system, and certainly recognized the stark difference between the vinyl sound and a CD.

What makes this difference? Here are three situation to consider assuming the same piece of music:

(1) An original analogue recording on a vinyl vs. an A/D CD

(2) An original analogue recording on vinyl vs. an original digital recording on CD

(3) An original digial recording on CD vs. a D/A recording on vinyl

I wonder if the sound of vinyl is in some ways similar to the "color" of speakers? It's not so much of an information difference, just the sound of the medium?

Any thoughts?
mceljo
First of all are we comparing apples to apples? Usually these experiments include a much more expensive turntable/arm/cartridge. Another question is what source is the system based on. There is a difference paticularly in high frequency information between vinyl and CD therefore system assembly plays a crucial role in the end result.

One advantage vinyl has over digital is the signal remains analog. Did anyone see the movie "The Fly"? Jeff Goldbloom cuts a steak in half and sends half of the steak through his invention where the steak is taken apart and reassembled in another location. After cooking both pieces of steak it became very obvious the steak that was taken apart and reassembled did not taste quite right. Could this be the problem with some CD players?
Sorry Clio, although I respect your judgments on most audio matters, I think Rrog's analogy is inept. The issue of remaining in the analog domain ignores the major energy transductions from acoustic to electrical then back to acoustic energy. IMO these transductions are far more difficult than sampling a waveform. Mathematical representation of the even high frequency energy in the waveform is entirely possible for digital processing. In either case, the waveform is most likely to have been originally recorded to tape with vagaries like head alignment and print-through if an analog tape recorder was used.

db
With all due respect db, digital still typically uses analog filters in the output of the dac. Furthermore the "quantization" as you call it still "analog" in the time domain aka jitter. IMEs, digital sources all have a sonic signature akin to analog source signatures.
"I wonder if the sound of vinyl is in some ways similar to the "color" of speakers? It's not so much of an information difference, just the sound of the medium?"

As we are talking about exceptional vinyl replay vs exceptional digital replay I believe you will hear more detail and thus experience a more realistic presentation via vinyl so I would say no it is not just a coloration. There are, however some caveats which relate to the three "situations" you propose. Really, I refer to situations one and three as I am not sure how many instances of the second situation are out there. Comparing the same performance, recorded on two mediums at the same time would be interesting and I am sure someone has done it but I have nothing in my library that I can listen to to form an opinion.

IMO digital comes closest to vinyl when comparing it with analog playback of digitally mastered material and with HI Res files in particular digital comes very, very close. I have never heard, however any recording of the same performance actually sound better via digital than it does via vinyl.

On the other hand if we compare the original analog recording with an a/d conversion in my experience the differences and superiority of vinyl are immense even using less than the very best pressings of vinyl.

When you get to some of the very best vinyl recordings via analog you are able to immerse yourself in the performance in a way that I do not believe is possible via even the best digital.

In my system I have room for both mediums and get enjoyment from both but I seek out digital only when the performance is unavailable on vinyl.